The History of English Soliloquy: Aeschylus to ShakespeareUniversity Press of America, 1985 - 139 pàgines Provides a thorough survey of the history of the soliloquy, from the earliest forms found on pre-Biblical Canaanite tablets through the heights of Shakespeare. Shows how Elizabethan soliloquy evolved out of its ancient forerunners, and that Shakespeare dominates soliloquy. Of particular interest to students and scholars of language, drama and Shakespeare. |
Des de l'interior del llibre
Resultats 1 - 3 de 5.
Pàgina 50
... Belial or Mischief rather than Judas . Evil is still opposed to Good , but now they are both called by their own names , as it were , often giving soliloquy a dual burden , as observed previously , of explaining both the role of the ...
... Belial or Mischief rather than Judas . Evil is still opposed to Good , but now they are both called by their own names , as it were , often giving soliloquy a dual burden , as observed previously , of explaining both the role of the ...
Pàgina 51
... Belial's vaunt is that of a kind of open warfare between Belial and mankind in general , a military psychomachia . He is taunting his victims , intentionally and openly work- ing them much woe . Belial is Vice itself , undisguised by ...
... Belial's vaunt is that of a kind of open warfare between Belial and mankind in general , a military psychomachia . He is taunting his victims , intentionally and openly work- ing them much woe . Belial is Vice itself , undisguised by ...
Pàgina 86
... Belial in The Castle of Perse- verance : I work them mickle wrake ; In woe is all my wenne . ( 11. 203-04 ) As for parallels , the opening line of this lago soliloquy ( " And what's he then that says I play the villain ? " ) hearkens ...
... Belial in The Castle of Perse- verance : I work them mickle wrake ; In woe is all my wenne . ( 11. 203-04 ) As for parallels , the opening line of this lago soliloquy ( " And what's he then that says I play the villain ? " ) hearkens ...
Continguts
The Mysteries | 25 |
Morality Drama | 45 |
Shakespearean Structures and Language | 99 |
Copyright | |
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Altres edicions - Mostra-ho tot
The History of English Soliloquy: Aeschylus to Shakespeare Lloyd A. Skiffington Visualització de fragments - 1985 |
Frases i termes més freqüents
Aaron action Aeschylus allegorical alliteration apostrophe audience Belial Caliban's century chapter character choragos chorus cited classical Clemen comedy comic conscience Counterfeit Countenance crown death declamation devils diction doth earlier early morality Elizabethan English soliloquy Envy Euripides evil example exemplifies fiend figurative Gobbo Grand Homily Greek Hamlet hath Heaven Henry Henry VI homiletic honor Iago iloquy imagery intermediate and late Jasper Heywood Juliet Juventus King lament language late moralities later Launcelot lines live London Lord Macbeth Magnificence medieval soliloquy metaphor Mini-homily monologue Morality Plays morality soliloquy mystery soliloquy opening personae Plautus plot exposition plot-action primitive prologue psychomachia rhetorical Richard Richard III role-action Roman Romeo Satan says scene Second Shepherds Seneca sermon Seven Against Thebes Shakespeare Shakespearean soliloquy sophistication Sophocles speaker speaks stage structural theatre thee Thespis thou Thyestes tion tone Tragedy types utterance vaunt Vice villain word-play words York yower
Referències a aquest llibre
Adapting to the Stage: Theatre and the Work of Henry James Christopher Greenwood Visualització de fragments - 2000 |