Speech and Performance in Shakespeare's Sonnets and PlaysCambridge University Press, 17 d’oct. 2002 - 262 pàgines David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the language of the sonnets is primarily performative rather than descriptive, and bases this distinction on the philosophy of Ludwig Wittgenstein and J. L. Austin. In a wide-ranging analysis of both the 1609 Quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. In a provocative discussion of the question of proper names and naming events in the sonnets and plays, the book seeks to reopen the question of the autobiographical nature of Shakespeare's sonnets. |
Des de l'interior del llibre
Resultats 1 - 5 de 26.
Pàgina vii
... Troilus and Cressida and Othello 150 5 Transformations : the sonnets and All's Well that Ends Well 198 Conclusion 238 Acknowledgements This book began as an idea sparked by a. Bibliography Index 243 253 See Robert Weimann , Authority and ...
... Troilus and Cressida and Othello 150 5 Transformations : the sonnets and All's Well that Ends Well 198 Conclusion 238 Acknowledgements This book began as an idea sparked by a. Bibliography Index 243 253 See Robert Weimann , Authority and ...
Pàgina 2
... Blackwell , 1953 ) and J. L. Austin , How To Do Things With Words ( Oxford and New York : Oxford University Press , 1975 ) . - Lear , Romeo and Juliet , Troilus and Cressida 2 Speech and performance in Shakespeare's sonnets and plays.
... Blackwell , 1953 ) and J. L. Austin , How To Do Things With Words ( Oxford and New York : Oxford University Press , 1975 ) . - Lear , Romeo and Juliet , Troilus and Cressida 2 Speech and performance in Shakespeare's sonnets and plays.
Pàgina 3
David Schalkwyk. - Lear , Romeo and Juliet , Troilus and Cressida , Othello and All's Well that Ends Well – either represents the sonnet as a form of social action or embod- ies forms of verbal practice that approximate key moments in ...
David Schalkwyk. - Lear , Romeo and Juliet , Troilus and Cressida , Othello and All's Well that Ends Well – either represents the sonnet as a form of social action or embod- ies forms of verbal practice that approximate key moments in ...
Pàgina 8
... Cressida ( Troilus and Cressida ) , Julia ( The Two Gentlemen of Verona ) and Hermia ( A Midsummer Night's Dream ) are also called ' fair ' , sometimes repeatedly and obsessively , and yet they variously fall short of the blonde ideal ...
... Cressida ( Troilus and Cressida ) , Julia ( The Two Gentlemen of Verona ) and Hermia ( A Midsummer Night's Dream ) are also called ' fair ' , sometimes repeatedly and obsessively , and yet they variously fall short of the blonde ideal ...
Pàgina 22
Heu assolit el vostre límit de visualització per a aquest llibre.
Heu assolit el vostre límit de visualització per a aquest llibre.
Continguts
1 | |
the sonnets Antony and Cleopatra and As You Like It | 29 |
the sonnets Loves Labours Lost Romeo and Juliet and Twelfth Night | 59 |
the sonnets Hamlet and King Lear | 102 |
the sonnets Romeo and Juliet Troilus and Cressida and Othello | 150 |
the sonnets and Alls Well that Ends Well | 198 |
Conclusion | 238 |
Bibliography | 243 |
Index | 253 |
Altres edicions - Mostra-ho tot
Speech and Performance in Shakespeare's Sonnets and Plays David Schalkwyk Previsualització limitada - 2002 |
Speech and Performance in Shakespeare's Sonnets and Plays David Schalkwyk Previsualització no disponible - 2002 |
Speech and Performance in Shakespeare's Sonnets and Plays David Schalkwyk Previsualització no disponible - 2007 |
Frases i termes més freqüents
All's anti-theatrical Antony and Cleopatra argues argument audience beauty beloved beloved's Bertram Cambridge character claims concepts context criticism dark lady dark woman declaration Desdemona desire discourse doth early modern embodied enacts erotic Essays eyes fact fair fictional Fineman force Hamlet heart Helen historical Iago ideological illocutionary illocutionary acts interaction interiority inwardness King language games literary logical London loue Love's Labour's Lost lover lyric meaning merely metaphysical mutual Olivia Orsino Othello paradigm paradox performative perlocutionary Petrarchan play player player-poet poem poet poetic poetry political proper name Quarto reciprocity recognise relations relationship render representation rhetorical rigid designation Romeo and Juliet scene self-authorising sense sexual Shakespeare's sonnets silence sonnet 23 sonnet 44 speak speech acts stage theatre theatrical thee thing thou transform Troilus and Cressida truth Twelfth Night University Press Vendler Viola voice vows Wittgenstein women words young