Speech and Performance in Shakespeare's Sonnets and Plays

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Cambridge University Press, 17 d’oct. 2002 - 262 pàgines
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David Schalkwyk offers a sustained reading of Shakespeare's sonnets in relation to his plays. He argues that the language of the sonnets is primarily performative rather than descriptive, and bases this distinction on the philosophy of Ludwig Wittgenstein and J. L. Austin. In a wide-ranging analysis of both the 1609 Quarto of Shakespeare's sonnets and the Petrarchan discourses in a selection of plays, Schalkwyk addresses such issues as embodiment and silencing, interiority and theatricality, inequalities of power, status, gender and desire, both in the published poems and on the stage and in the context of the early modern period. In a provocative discussion of the question of proper names and naming events in the sonnets and plays, the book seeks to reopen the question of the autobiographical nature of Shakespeare's sonnets.
 

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Continguts

the sonnets
1
the sonnets Antony and Cleopatra and As You Like It
29
the sonnets Loves Labours Lost Romeo and Juliet and Twelfth Night
59
the sonnets Hamlet and King Lear
102
the sonnets Romeo and Juliet Troilus and Cressida and Othello
150
the sonnets and Alls Well that Ends Well
198
Conclusion
238
Bibliography
243
Index
253
Copyright

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Sobre l'autor (2002)

David Schalkwyk is Associate Professor and Head of the Department of English Language and Literature at the University of Cape Town. He has published on Shakespeare, literary theory, philosophy, and South African literature in the Shakespeare Quarterly, English Literary Renaissance, the Journal of Aesthetics and Art Criticism, Pretexts, Linguistic Sciences, Textus, and the Journal of Literary Studies.

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