Shakespeare's Webs: Networks of Meaning in Renaissance DramaRoutledge, 6 de des. 2012 - 192 pàgines In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age. |
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Pàgina ix
... cultural knowledge and are extended beyond their original reference through metaphor and metonymy to form 'chains' of meanings” (p. 13). Crane's book Shakespeare's Brain is a brilliant application of this synthesis to six of ...
... cultural knowledge and are extended beyond their original reference through metaphor and metonymy to form 'chains' of meanings” (p. 13). Crane's book Shakespeare's Brain is a brilliant application of this synthesis to six of ...
Pàgina x
... cultural contexts in which they are embodied.”9 In another recent study, The Stage Life of Props, Andrew Sofer argues that no material property is innocent, but rather that “[o]bjects take on a life of their own when they transcend ...
... cultural contexts in which they are embodied.”9 In another recent study, The Stage Life of Props, Andrew Sofer argues that no material property is innocent, but rather that “[o]bjects take on a life of their own when they transcend ...
Pàgina xiii
... cultural practice with cultural patterns of thought—“an unweeded garden” or “frailty, thy name is woman” (1.2.135, 146)—Hamlet attempts to build a web-like structure, reaching out for threads of thought to be woven into understanding, ...
... cultural practice with cultural patterns of thought—“an unweeded garden” or “frailty, thy name is woman” (1.2.135, 146)—Hamlet attempts to build a web-like structure, reaching out for threads of thought to be woven into understanding, ...
Pàgina xiv
... cultural” objects and ideas, “material ecologies and...cultural systems of meaning,” he says, semiosis “is making something meaningful by seeing it as a part of some wholes rather than others, as being an alternative to some options ...
... cultural” objects and ideas, “material ecologies and...cultural systems of meaning,” he says, semiosis “is making something meaningful by seeing it as a part of some wholes rather than others, as being an alternative to some options ...
Pàgina xx
... cultural set of historically specific resources, and a socially shaped set of commonalities with others” (pp. 48–49). Thus the linking of text to text and situation to situation is not an entirely ad hoc process. There are a small ...
... cultural set of historically specific resources, and a socially shaped set of commonalities with others” (pp. 48–49). Thus the linking of text to text and situation to situation is not an entirely ad hoc process. There are a small ...
Altres edicions - Mostra-ho tot
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Previsualització limitada - 2004 |
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Previsualització limitada - 2004 |
Shakespeare's Webs: Networks of Meaning in Renaissance Drama Arthur F. Kinney Previsualització limitada - 2004 |
Frases i termes més freqüents
according action activity become bell body brain called Cambridge Claudius clock cognitive concept continues court cultural daughter death divided early Elizabethan England English face father fear Figure give glass Goneril Hamlet hand hath Henry History hold hour human Italy John Juliet Kent kind King Lady land language Lear learning lines live London looking lord marginal mark material matter means measure memory mind mirror nature night notes objects observation Ophelia painted past patterns person play Polonius possible practice present Quoted record reference reflection rhetoric Richard Romeo rule scene seems sense Shakespeare’s soul speak stage tells thee things Thomas thou thought tion true turn University Press writes York