Shakespeare's Webs: Networks of Meaning in Renaissance Drama

Portada
Routledge, 6 de des. 2012 - 192 pàgines
0 Ressenyes
Les ressenyes no es verifiquen, però Google comprova si hi ha contingut fals i el suprimeix quan l'identifica.
In this book, renowned Renaissance drama critic Arthur F. Kinney argues that Shakespeare's method of composing plays through networks of meanings can be seen as a harbinger of today's information technology. Drawing upon hypertext and cognitive theory--areas that have for some time promised to take on more importance in the sphere of Shakespeare Studies--as well as the central metaphor of the Routledge collection The Renaissance Computer, Kinney looks in detail at four objects/images in Shakespeare's plays--mirrors, maps, clocks, and books--and explores the ways in which they make up networks of meaning within single plays and across the dramatist's body of work that anticipate in some ways the networks of meaning or "information" now possible in the computer age.

Des de l'interior del llibre

Què en diuen els usuaris - Escriviu una ressenya

No hem trobat cap ressenya als llocs habituals.

Altres edicions - Mostra-ho tot

Frases i termes més freqüents

Informació bibliogràfica