Cinema Studies: The Key ConceptsRoutledge, 18 d’abr. 2006 - 608 pàgines Ranging from Bollywood superstar Amitabh Bachchan to Quentin Tarantino, and from auteur theory to the Hollywood Blockbuster, Cinema Studies: The Key Concepts has firmly established itself as the essential guide for anyone interested in film. Covering an impressive range of key genres, movements, theories and production terms, this third edition includes a fully updated bibliography, and has been revised and expanded to include new topical entries such as:
Authoritative yet accessible, Cinema Studies: The Key Concepts is undoubtedly a must-have guide to what is both a fascinating area of study and arguably the greatest art form of modern times. |
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aesthetic African African cinema American ashback audience auteur auteur theory avant-garde Black cinema Blaxploitation British British Film Institute camera character child cinemascope colour con¯ict context culture de®ned debate desire diegesis dif®cult discourses documentary dominant editing effect example exempli®ed fantasy feature lm female feminist feminist lm theory fetish Film function further reading gangster gaze gender genre German German expressionism hero Hollywood horror identi®ed ideology in¯uence Indian cinema jump cut Lacan lighting lm industry lm noir lm production lm-makers London male meaning melodrama mirror mirror stage mise-en-sceÁne montage mother movement musical nally nance narrative cinema Oedipal trajectory political position post-structuralism postmodern protagonist psychoanalysis Queer cinema re¯ect realism reality refers relation representation represented scopophilia screen sexual shot signi®cant social Soviet speci®c spectator star structures studio style suture Symbolic theatre Third Cinema Third World thriller tion tradition Western woman women women's cinema