And as He shades us from the glare The holly leaves, they all reflect The light from bank and hedge, And ivies that the walls protect Make gold their every ledge. But ivy does not lend her leaves She rambles through the woods and weaves It thrills my heart that God should choose And fear lest we poor mortals lose One single ray of light. Beatrice Chase. THE HAUNTED OAK Pray, why are you so bare, so bare, Oh, bough of the old oak-tree; And why, when I go through the shade you throw, My leaves were green as the best, I trow, And sap ran free in my veins, But I saw in the moonlight dim and weird I bent me down to hear his sigh; I shook with his gurgling moan, And I trembled sore when they rode away, They'd charged him with the old, old crime, Oh, why does the dog howl all night long, He prayed his prayer and he swore his oath, Who is it rides by night, by night, Over the moonlit road? And what is the spur that keeps the pace, And now they beat at the prison door, "Ho, keeper, do not stay! We are friends of him whom you hold within, And we fain would take him away "From those who ride fast on our heels They have no care for his innocence, They have fooled the jailer with lying words, Now they have taken him from the jail, And the leader laughs low down in his throat, Oh, the judge, he wore a mask of black, And the doctor one of white, And the minister, with his oldest son, Was curiously bedight. Oh, foolish man, why weep you now? 'Tis but a little space, And the time will come when these shall dread The mem'ry of your face. I feel the rope against my bark, And the weight of him in my grain, And never more shall leaves come forth I am burned with dread, I am dried and dead, And ever the judge rides by, rides by, In the guise of a mortal fear. And ever the man he rides me hard, And never a night stays he; For I feel his curse as a haunted bough, On the trunk of a haunted tree. Paul Laurence Dunbar. ELEGY One thing, alas! More fleeting have I seen Is man's brief passage o'er this mortal scene! Chisato. Forest was planted above forest and destroyed, as if Nature were ever repeating, undoing the work she had so industriously done, and burying it. Of course this destruction was creation, progress in the march of beauty through death. How quickly these old monuments excite and hold the imagination! We see the old stone stumps budding and blossoming and waving in the wind as magnificent trees, standing shoulder to shoulder, branches interlacing in grand varied round-headed forests; see the sunshine of morning and evening gilding their mossy trunks and at high noon spangling on the thick glossy leaves of the magnolia, filtering through translucent canopies of linden and ash, and falling in mellow patches on the ferny floor; see the shining after rain, breathe the exhaling fragrance, and hear the winds and birds and the murmur of brooks and insects. We watch them from season to season; see the swelling buds when the sap begins to flow in the spring, the opening leaves and blossoms, the ripening of summer fruits, the colors of autumn, and the maze of leafless branches and sprays in winter; and we see the sudden oncome of the storms that overwhelmed them. One calm morning at sunrise I saw the oaks and pines in Yosemite Valley shapen by an earthquake, their tops swishing back and forth and every branch and needle shuddering as if in distress like the frightened, screaming birds. One may imagine the trembling, rocking, tumultuous waving of those ancient Yellowstone woods, and the terror of their inhabitants when the first foreboding shocks were felt, the sky grew dark, and rock-laden floods began to roar. But though they were close pressed and buried, cut off from sun and wind, all their happy leaf-fluttering and waving done, other currents coursed through them, fondling and thrilling every fibre, and beautiful wood was replaced by beautiful stone. Now their rocky sepulchres are partly open, and show forth the natural beauty of death. John Muir. INDEX OF FIRST LINES A bard, dear muse, unapt to sing. H. Luttrell A deep groove in the city's stony face. Samuel Henry Marcus Ah, how sublime. Basho A hundred autumns fallen in fire. Laurence Binyon Along the waste, a great way off, the pines. Archibald Lampman A pine-tree stood alone on. Heinrich Heine A shrinking, frightened creature in despair. Willa Sibert Cather A wind sways the pines. George Meredith A woodman whose rough heart was out of tune. Percy Bysshe Shelley Day after day I travel down. Philip Henry Savage Dreamy, gloomy, friendly trees. Herbert Trench E'en when on earth the thund'ring gods held sway. Narihira Green is the plane-tree in the square. Amy Levy From Bleymard after dinner, although it was. R. L. Stevenson Hail, old patrician trees, so great and good. Cowley 81 134 Here is a quiet place where one may dream. Archibald Lampman 84 125 75 113 Fair tree, for thy delightful shade. Anne, Countess of Winchilsea For my heart had a touch of the woodland time. Robert Browning For trees, you see, rather conceal themselves in daylight. Algernon Blackwood He sang as if the heavens held only two things. James Oppenheim Ralph Waldo Emerson . I heard a wood thrush in the dusk. Sara Teasdale, I heard his step upon the moss: Madison Cawein I know five poplars on an inland hill. "Centaur" 142 85 68 39 90 146 22 39 |