The Act and the Image: Including Our TownOdyssey Press, 1969 - 292 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 99.
Pàgina 10
... character , that image must be such that the desires , feelings , and attitudes of that character inevitably lead to the dramatic action that follows . For example , the image of George in Our Town must be clearly seen in the mind's eye ...
... character , that image must be such that the desires , feelings , and attitudes of that character inevitably lead to the dramatic action that follows . For example , the image of George in Our Town must be clearly seen in the mind's eye ...
Pàgina 52
... character , and successfully putting aside one's per- sonal responses where they are out of key . That is not to say that there are no points of contact where the actor's intuitive response and the character's response are the same . On ...
... character , and successfully putting aside one's per- sonal responses where they are out of key . That is not to say that there are no points of contact where the actor's intuitive response and the character's response are the same . On ...
Pàgina 124
... character overwhelmed by a drive to dominate would move as if he were always on the attack . He would appear almost to march against any character he approaches on stage . On the other hand , if he were weak , desiring nothing more than ...
... character overwhelmed by a drive to dominate would move as if he were always on the attack . He would appear almost to march against any character he approaches on stage . On the other hand , if he were weak , desiring nothing more than ...
Continguts
Introduction | 1 |
METAPHORS AND IMAGES | 2 |
THE ACTORS CONCENTRATION | 6 |
Copyright | |
No s’hi han mostrat 15 seccions
Frases i termes més freqüents
acting actor actress art thou audience BENVOLIO character comes CONSTABLE WARREN create Crowell house dead death desire Doc Gibbs doth dramatic action Emily Emily's emotional Enter exercises Exeunt Exit experience express expressionistic eyes father feelings Friar Laurence George gesture and movement girl give Grover's Corners hand hast hath HOWIE NEWSOME imagery imagination inconstant moon JOE CROWELL JOE STODDARD kiss Lady Capulet look lovers Mama Mantua married means MERCUTIO metaphor mind Montague morning Mother Gibbs move never night NURSE object Paris passion Pause perception performance person phrasing play Prince projection purpose REBECCA relationship response rhythm role Romeo and Juliet Rosaline SAMPSON SIMON STIMSON SOAMES speak speech STAGE MANAGER stress style subject-person tell theater thee there's things Thornton Wilder thou art Town Tybalt Verona villain WEBB wedding wife words young