The Construction of TragedyNational Literary Guild, 1984 - 187 pàgines |
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Pàgina 18
... whole which is greater than the sum of its parts , and from which no element may be dislodged without affecting the whole . III . The elements of the universe corresponding to dimensions in a tragedy For the tragedian , the elements of ...
... whole which is greater than the sum of its parts , and from which no element may be dislodged without affecting the whole . III . The elements of the universe corresponding to dimensions in a tragedy For the tragedian , the elements of ...
Pàgina 26
... whole rather than as an assumed whole itself . This personal experience of great magnitude in an artist's life can cause presentation of material with an affirmation that is far from the mean or with no affirmation at all , just ...
... whole rather than as an assumed whole itself . This personal experience of great magnitude in an artist's life can cause presentation of material with an affirmation that is far from the mean or with no affirmation at all , just ...
Pàgina 30
Mary Mann. XVII . Tragedy an organic whole - the perfectly constructed tragedy A whole is that which has a beginning , a middle , and an end . The plot , being an imitation of an action , must imitate one action , and that a whole , the ...
Mary Mann. XVII . Tragedy an organic whole - the perfectly constructed tragedy A whole is that which has a beginning , a middle , and an end . The plot , being an imitation of an action , must imitate one action , and that a whole , the ...
Continguts
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Copyright | |
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Frases i termes més freqüents
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole