The Construction of TragedyNational Literary Guild, 1984 - 187 pàgines |
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Resultats 1 - 3 de 27.
Pàgina 15
... truth is enunciated " . The structural method offered for achieving the enunciation of a general truth dramatically is that the general truth has a higher energy drive dramatically than any other truth enun- ciated in each play . The ...
... truth is enunciated " . The structural method offered for achieving the enunciation of a general truth dramatically is that the general truth has a higher energy drive dramatically than any other truth enun- ciated in each play . The ...
Pàgina 17
... truth or a unifier which is going to prevail in the end . Second , the tragedian constructs a sequence of events which constitute a complete action using this moving unifier that tends to affirm a universal truth . Third , this prepared ...
... truth or a unifier which is going to prevail in the end . Second , the tragedian constructs a sequence of events which constitute a complete action using this moving unifier that tends to affirm a universal truth . Third , this prepared ...
Pàgina 32
... truth enunciated . King Lear recognizes what he has done and so does Creon . Von Gerlach , however , does not , nor does Franz or Leni in the sense that none of them submit to a moral truth in the end . So in The Condemned of Altona the ...
... truth enunciated . King Lear recognizes what he has done and so does Creon . Von Gerlach , however , does not , nor does Franz or Leni in the sense that none of them submit to a moral truth in the end . So in The Condemned of Altona the ...
Continguts
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Copyright | |
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20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole