The Construction of TragedyNational Literary Guild, 1984 - 187 pàgines |
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Pàgina 11
... Language as we know it today primarily reflects our knowledge in the sense that , as we feel we have knowledge of something , we find or create language for it . This presents some difficulty in establishing a scientific relationship ...
... Language as we know it today primarily reflects our knowledge in the sense that , as we feel we have knowledge of something , we find or create language for it . This presents some difficulty in establishing a scientific relationship ...
Pàgina 73
... language alone . In the next meeting with Rosencrantz and Guildenstern , Hamlet's language is so metaphorical that they must choose to ignore it . They get nothing from him except utter contempt for the king . This is scarcely ...
... language alone . In the next meeting with Rosencrantz and Guildenstern , Hamlet's language is so metaphorical that they must choose to ignore it . They get nothing from him except utter contempt for the king . This is scarcely ...
Pàgina 93
... language around , he errs in the personal dimension when he casts her from him forever . It is in this opening scene in King Lear that much can be learned about the importance of communicative or rational language and emotive language ...
... language around , he errs in the personal dimension when he casts her from him forever . It is in this opening scene in King Lear that much can be learned about the importance of communicative or rational language and emotive language ...
Continguts
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Copyright | |
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20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole