The Construction of TragedyNational Literary Guild, 1984 - 187 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 21.
Pàgina 29
... beginning and the ending of a play A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows ...
... beginning and the ending of a play A beginning is that which does not itself follow anything by causal necessity , but after which something naturally is or comes to be . An end , on the contrary , is that which itself naturally follows ...
Pàgina 60
... beginning and the ending . The plot The state of affairs at the beginning of the play reveals the existence of an imbalance in the international dimension in terms of an established dramatic mean of primogeniture . King Hamlet has ...
... beginning and the ending . The plot The state of affairs at the beginning of the play reveals the existence of an imbalance in the international dimension in terms of an established dramatic mean of primogeniture . King Hamlet has ...
Pàgina 127
... beginning and the ending . The tragic circle . The role of human assumptions concerning conduct The beginning of the play plants all the seeds of future actions . It is immediately established that Sir Thomas More knows that Rich has ...
... beginning and the ending . The tragic circle . The role of human assumptions concerning conduct The beginning of the play plants all the seeds of future actions . It is immediately established that Sir Thomas More knows that Rich has ...
Continguts
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Copyright | |
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20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole