The Construction of TragedyNational Literary Guild, 1984 - 187 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 28.
Pàgina 33
... audience is for the presentation since a play needs an audience for it to come to life . We have assumed that the Greeks and Shakespeare had ready audiences and an assump- tion has also been made in the 20th century that the unifier no ...
... audience is for the presentation since a play needs an audience for it to come to life . We have assumed that the Greeks and Shakespeare had ready audiences and an assump- tion has also been made in the 20th century that the unifier no ...
Pàgina 81
... audience in mind . The unifier of the total world to which the audience belongs is the law of primogeniture . It is only about fifty years prior to the writing of the play that King Henry VIII of England has proclaimed himself head of ...
... audience in mind . The unifier of the total world to which the audience belongs is the law of primogeniture . It is only about fifty years prior to the writing of the play that King Henry VIII of England has proclaimed himself head of ...
Pàgina 174
... audience . The audience in this sense is the empirical verification of the degree of truth attained by the prevailing energy drive . If the highest energy drive has a high degree of truth to it , the play survives through the ages and ...
... audience . The audience in this sense is the empirical verification of the degree of truth attained by the prevailing energy drive . If the highest energy drive has a high degree of truth to it , the play survives through the ages and ...
Continguts
Introduction | 1 |
The Metaphysics of Tragic Construction | 9 |
The Method of Analysis | 15 |
Copyright | |
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Frases i termes més freqüents
20th century action affairs affirmation Albany Antigone Aristotle art form assumptions audience awareness Cathedral character chorus civilization classical tragedy Claudius code of conduct common mortal Condemned of Altona contemporary relevance Cordelia Cornwall cosmic dimension cosmic imbalance Creon daughter death Denmark deviation dramatic dramatist Edgar edict Edmund England ennoblement father fidelity of correspondence Franz Gloucester Goneril governance Greek Haemon Hamlet harmony Henry Henry's highest energy drive human Johanna Kent kill King Hamlet King Lear Laertes law of primogeniture Leni mean mimesis mode of operation More's move Murder mystic nature old Von Gerlach organic unifier organic universe overall sequence personal dimension philosophy play play's plot political dimension Polonius Polyneices potential prepared material preservation primogeniture raw material Regan relationship reveals role says scientific Seasons sense sequence of events Shakespeare Shakespearean Sidney Morgenbesser spiritual survival T. S. Eliot Teiresias temporal Thebes thou tion tragedian tragic conflict Werner whole