CONTENTS. Page I. Perceptions and Ideas in a train, i. Causes unfolded of the Emotions and 1. Difference between Emotion and Pas- sion.Causes that are the most com- mon and the most general. Passion considered as productive of Action, 2. Power of Sounds to raise Emotions and 3. Causes of the Emotions of Toy and 4. Sympathetic Emotion of Virtue and its 5. In many instances one Emotion is pro- ductive. of another. The same of 6. Causes of the Passions of Fear and i1. Emotions and Passions as. pleasant and painful, agreeable and disagreeable. Modification of these qualities, III. Interrupted Existence of Emotions and Passions. Their Growth and Decay, 106. iv. Co-existent Emotions and Passions, 114. v. Influence of Passion with respect to our. Perceptions, Opinions, and Belief, : 135 Appendix. Methods that Nature hath af- fórded for computing Time and Space, 145 VI. Resemblance of Emotions to their Causes, 155 vii. Final Causes of the more frequent Emo- VI. Novelty, and the unexpected appearance of VIII. Resemblance and Dissimilitude, Appendix. Concerning the Works of Na- : ture, chiefly with respect to Uniformity and Page 1. Beauty of Language with respect to 2. Beauty of Language with respect to Sig- 16 3. Beauty of Language from a resemblance between Sound and Signification, 62 4. The Means or Instrument conceived to 5.- A figure which, among related Objects, extends the Properties of one to ano- 1. Subjects expressed figuratively, 223 2. Attributes expressed figuratively, 228 XXI. Narration and Description, INTRODUCTION. THAT nothing external is perceived till first it make an impression upon the organ of sense, is an observation that holds equally in every one of the external senses. But there is a . difference as to our knowledge of that impress sion: in touching, tasting, and smelling, we are sensible of the impression ; that, for example, which is made upon the hand by a stone, upon the palate by an apricot, and upon the nostrils by a rose : it is otherwise in seeing and hearing; for I am not sensible of the impression made upon my eye, when I behold a tree ; nor of the impression made upon my ear, when I listen to a song.* That difference in the manner of perceiving external objects, distinguisheth remarkably hearing and seeing from the other senses; and I am ready to show, that it distinguisheth still more remarkably the feelings of the former from that of the latter ; every feeling, pleasant or painful, must be in the mind"; and yet, because in tasting, touching, and smelling, we are sensible of the impression made upon the organ, we are led to place there also the pleasant or painful feeling caused by that impression ;t * See the Appendix, § 13. + After the utmost efforts, we find it beyond our power to conceive the flavour of a rose to exist in the mind : we are necessarily led to conceive that pleasure as existing in the nostrils along with the impression made by the rose upon that organ. And the same will be the result of experiments with respect to every feeling of taste, touch, and smell. Touch affords the most satisfactory experiments. Were it not that the delusion is detected by philosophy, no person would hesitate to pronounce, that the pleasure arising from touching a smooth, soft, and velvet surface, has its existence at the ends of the fingers, without once dreaming of its exişting any where else. |