The Joyce Paradox: Form and Freedom in His FictionNorthwestern University Press, 1966 - 180 pàgines This book makes sense of the present state of Joyce criticism by polarising various attitudes which have been taken to Joyce's work. This polarisation is then presented as the basis for a new view which takes account of divergent tendencies within Joyce's fiction itself. [...] -From book jacket. |
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Pàgina 169
... Shakespeare and the French Poet ' , Encounter 105 , Vol . XVIII , No. 6 ( June 1962 ) , p . 41 . 10 T. S. Eliot , Collected Poems 1909-62 ( London , 1963 ) , p . 189 . 11 See Kenner , pp . 116–17 . The symbolist apotheosis of this ...
... Shakespeare and the French Poet ' , Encounter 105 , Vol . XVIII , No. 6 ( June 1962 ) , p . 41 . 10 T. S. Eliot , Collected Poems 1909-62 ( London , 1963 ) , p . 189 . 11 See Kenner , pp . 116–17 . The symbolist apotheosis of this ...
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action actuality aesthetic alternative analogy appears artist beauty become Bloom and Stephen Boylan Brand Budgen called chapter characters Circe claims consciousness context critical cycle cyclic dead death detachment diary dramatic Dublin Ellmann entelechy epiphany episode eternal ethical Eumæus Eveline existence experience father fiction Finnegans Wake freedom fuga per canonem Harriet Shaw Weaver Hugh Kenner human Ibsen Improperia interpretation Ithaca James Joyce Joyce's judgement Kenner Kierkegaard Kierkegaardian kinesis later literary London Mahamanvantara meaning metaphysical mind mode Molly Moses Mulligan narrative nature notion novel paradox paralysis Parnell parody particular passage Peer Gynt perhaps phrase Portrait possible potential present reality relationship repetition response Richard Ellmann romantic S. L. Goldberg scene seems Shakespeare Søren Kierkegaard soul stasis Stephen and Bloom Stephen Dedalus Stephen Hero Stobart story style suggest symbolic symbolist theme things thought tion Ulysses vision voice whole words