Shakespeare's Tragic SkepticismYale University Press, 1 de gen. 2002 - 283 pàgines Readers of Shakespeare's greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare's greatest characters: why does Hamlet delay his revenge for so long? Why does King Lear choose to renounce his power? Why is Othello so vulnerable to Iago's malice? But while many critics have chosen to overlook these omissions or explain them away, Millicent Bell demonstrates that they are essential elements of Shakespeare's philosophy of doubt. Examining the major tragedies, Millicent Bell reveals the persistent strain of philosophical skepticism. Like his contemporary, Montaigne, Shakespeare repeatedly calls attention to the essential unknowability of our world. In a period of social, political, and religious upheaval, uncertainty hovered over matters great and small--the succession of the crown, the death of loved ones from plague, the failure of a harvest. Tumultuous social conditions raised ultimate questions for Shakespeare, Bell argues, and ultimately provoked in him a skepticism which casts shadows of existential doubt over his greatest masterpieces. |
Des de l'interior del llibre
Resultats 1 - 5 de 64.
Pàgina vii
Millicent Bell. Contents Preface ix introduction Hamlet , Othello , King Lear , and Macbeth 1 one Hamlet , Revenge ! 29 two Othello's Jealousy 80 three " Unaccommodated " Lear 138 four Macbeth's Deeds 191 epilogue The Roman Frame 241 ...
Millicent Bell. Contents Preface ix introduction Hamlet , Othello , King Lear , and Macbeth 1 one Hamlet , Revenge ! 29 two Othello's Jealousy 80 three " Unaccommodated " Lear 138 four Macbeth's Deeds 191 epilogue The Roman Frame 241 ...
Pàgina ix
... Macbeth , Julius Caesar , and Antony and Cleo- patra by the realization that much previous discussion tended to confine and reduce their variousness and contradictions . There has always been a simplifying readiness to impose the ...
... Macbeth , Julius Caesar , and Antony and Cleo- patra by the realization that much previous discussion tended to confine and reduce their variousness and contradictions . There has always been a simplifying readiness to impose the ...
Pàgina xi
Millicent Bell. the collapse of the sense of time's sequential order in Macbeth , or the revelation of history's duplicity in the Roman plays . Criticism has tended to overlook the apparent inconsistencies , gaps , and contradictions in ...
Millicent Bell. the collapse of the sense of time's sequential order in Macbeth , or the revelation of history's duplicity in the Roman plays . Criticism has tended to overlook the apparent inconsistencies , gaps , and contradictions in ...
Pàgina xiii
... Macbeth , Indefinition , and Tragedy ( 1983 ) , argues that King Lear " refuses to fulfill the generic promise inherent in its story . " Accord- ing to Booth , Shakespeare demonstrates in his treatment of char- acter " the impossibility ...
... Macbeth , Indefinition , and Tragedy ( 1983 ) , argues that King Lear " refuses to fulfill the generic promise inherent in its story . " Accord- ing to Booth , Shakespeare demonstrates in his treatment of char- acter " the impossibility ...
Pàgina xiv
... Macbeth , both " lost and won . " And in this way Shakespeare stands outside any system that presumes the imperatives of a culture to be inherent in the nature of things - though the New Historicist Stephen Greenblatt probably would ...
... Macbeth , both " lost and won . " And in this way Shakespeare stands outside any system that presumes the imperatives of a culture to be inherent in the nature of things - though the New Historicist Stephen Greenblatt probably would ...
Continguts
Hamlet Revenge | 29 |
Othellos Jealousy | 80 |
Unaccommodated Lear | 138 |
Macbeths Deeds | 191 |
The Roman Frame | 241 |
Selected Bibliography | 279 |
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Frases i termes més freqüents
action actor ambiguous ambition Antony and Cleopatra Antony's appears asks audience Banquo blood Brabantio Brutus called Cassio cause character Claudius Cordelia crime daughters death deed denies Desdemona doubt dramatic Duncan Edgar Edmund Emilia expressed faith false father feel fideism Florio Folio Fool Fortinbras fourth act ghost Gloucester Goneril Hamlet hath hear Holinshed Horatio human Iago Iago's idea identity imagination jealousy Julius Caesar Kent killed King Lear Lady Macbeth Laertes lago Lear's Macduff Machiavellian madness Malcolm marriage meaning mind Montaigne Montaigne's motive murder nature never observed Ophelia Othello philosophic skepticism play's playwright plot Plutarch Polonius prophecy Quarto reference Regan reminds revenge Roderigo role Roman royal says scene seems selfhood sense sexual Shake Shakespeare Shakespeare's play skepticism social soliloquy someone speaks speare's stage story suggested tells theater theatrical things thou thought tion tragedy tragic trial true truth witchcraft witches word
Referències a aquest llibre
Vanities of the Eye: Vision in Early Modern European Culture Stuart Clark Previsualització no disponible - 2007 |
Special Section, Shakespeare and Montaigne Revisited Graham Bradshaw,T. G. Bishop,Peter Holbrook Previsualització limitada - 2006 |