To clustring filberds, and sometimes I'll get thee АСТ III. SCENE Ι. There perhaps cannot be conceived any thing more beautiful and natural than the following Scene: I almost think it an Injustice to S. to take down any particular part: yet the fubfequent lines are so expressive of true and unbiassed affection, I cannot omit them. Ferdinand, bearing a Log. There (25) be some sports are painful; and their labour Delight in them fets off: fome kinds of baseness Some (24) Seamels.] This is the reading of the old editions, but the word is no where else to be met with. Sea-mells, which J. would propose, comes very near the traces of the letters: they are birds that haunt the rocks about the fea-shore, and are the fame with the fea-mews. Other editors read differently; Theobald and Warburton, Shamois, i. e. young kids: the reading in the text feems less uncouth; but it matters little (as has been observed) so long as we take a word fignifying the name of fomething in nature, which we use. Holt says, that in fome places, limpets are called fcams. (25) There, &c.] In Paradise Lost, B. 4. v. 437. Adam says to Eve, But let us ever praise him and extol His bounty, following our delightful task To prune those growing plants, and tend these flowers, Some thousands of these logs, and pile 'em up But these sweet thoughts do even refresh my labour, Admir'd Miranda! And again. Indeed the top of admiration; worth What 's dearest to the world! Full many a lady Miranda's offering to carry the Logs for him is peculiarly elegant. If you'll fit down, I'll bear your logs the while; pray give me that, And (26) Most bufie-less.] i. e. "Amidst all these labours, the thoughts of her drive away all appearance of labour, and make me feem to myself most bufy-less, or least employed, when I am most so!" something after the manner of the old famous nunquam minus otiofus, quam cum otiofus. (27) Of every creature's best.] Alluding to the picture of Venus by Apelles. J. And afterwards, how innocent I am a fool (28) To weep at what I am glad of! (29) I am your wife, if you will marry me: (28) I am a fool, &c.] This is one of those touches of nature that diftinguish S. from all other writers. It was necessary, in fupport of the character of Miranda, to make her appear ignorant, that excess of forrow and excess of joy find alike their relief from tears : and as this is the first time that confummate pleasure had made any near approaches to her heart, the calls fuch an expreffion of it, folly. It is impertinent to be for ever pointing out beauties, which the reader of taste will of course diftinguish for himself; and yet I cannot quit this scene without observing that it is fuperior in its kind to any of those that pass between Romeo and Juliet; and holds up the most captivating picture of juvenile affection that has been exhibited, even by S. himself. The prince behaves through the whole with a delicacy fuitable to his birth and education: and his unexperienced mistress pours forth her foul without referve, without defcending from the foft elevation of maiden dignity, and apparently derives her confidence from the purity of her intentions. St. (29) Mr. Prior has a thought to this effect, in his charming poem of Henry and Emma. This potent beauty, this triumphant fair, Incens'd the feas and shores, yea, all the creatures, Against your peace. Guilty Conscience. O, (30) it is monstrous! monstrous!Methought the billows spoke, and told me of it; The winds did fing it to me; and the thunder, That deep and dreadful organ-pipe, pronounc'd The name of Prosper. It did bass my trespass. (31) Gon. All three of them are defperate; their great guilt Like poifon given to work a great time after, Now 'gins to bite thy spirit. ACT (30) 0, &c.] The horrors of a guilty mind are thus nobly described by Maffinger. Do, do, rage on; rend open, Æolus, To fall on my accursed head. Unnatural Combat, Act 5. latter end. (31) Bass my trespass.] "The deep pipe told it me in a rough bass found." In the next line but one S. alludes to a custom of the natives of Africa, who have been fuppofed to be poffefied of the secret how to temper poisons with fuch art as not to take effect till several years after they were administered, and were then as certain in their effect, as they were fubtle in their preparation. J. and St. ACT IV. SCENE Ι. Profpero's Boaft of Miranda. O, Ferdinand, Do not smile at me that I boast her off, Continence before Marriage. Prof. If thou dost break her virgin-knot, before All fanctimonious ceremonies may Ferd. A Lover's Protestation. As I hope For quiet days, fair issue, and long life, Our worfer genius can, shall never melt Mine honour into lust, to take away The edge of that day's celebration; When I shall think or Phœbus' steeds are founder'd, Or night kept chain'd below. Paffion too ftrong for Vows. Prof. Look thou be true: do not give dalliance Too much the rein: the strongest (32) oaths are straws To (32) The strongest, &c.] So in Hamlet, Polonius says, VOL. II. D I do |