Timan. Hang thee, monster! Alc. Pardon him, fweet Timandra, for his wits I have but little gold of late, brave Timon, Alc. Why, fare thee well, Here's gold for thee. Tim. Keep it, I cannot eat it. Alc. When I have laid proud Athens on a heap- Alc. Ay, Timon, and have caufe. Tim. The gods confound them all then in thy conqueft, And, after, thee, when thou hast conquered ! Alc. Why me, Timon? leaft, in the other, he should take cold, which was fatal. "The regimen for the courfe of Guaiacum (fays Dr. Friend in his bift. of phyfick, Vol. 2. p. 380.) was at firft ftrangely circumftantial; and "to rigorous, that the patient was put into a dungeon in order to "make him fweat; and in that manner, as Fallopius exprefles it, "the bones and the very man himself was macerated." And as for the unction, it was fometimes continued for thirty-feven days; (as he obferves, p. 375) and during this time there was neceffarily an extraordinary abflinence requir'd. Mr. Warburton. Shakespeare himself, I remember, in another of his plays, alludes to the custom of this tub difcipline. Meaf for Meaf. Act 3. where the clown is fpeaking of the bawd; Troth, Sir, the hath eaten up all her beef, and fhe is herself in the tub. And Beaumont and Fletcher in the Knight of the Burning Pefile; Prifners of mine, whom I in diet keep, Send lower down into the cave, And in a tub, that's heated fmoaking hot, And afterwards, in the fame play, fome of these pin'd prifoners are produc'd, complaining of their tub-fweat, and spare-diet. But enough of thefe unfavoury proofs. Tim. That by killing of villains Thou waft born to conquer my country. Put up thy gold. Go on, here's gold, go on; Will o'er fome high-vic'd city hang his paifon Herfelf's a bawd. Let not the virgin's cheek Set them down horrible traitors. Spare not the babe, Hath doubtfully pronounc'd thy throat fhall cut, (25) That thro' the window-barn bore at men's eyes.] I cannot for my heart imagine, what idea our wife editors had of a virgin's breast thro' a window-barn: which, I am fatisfied, muft be a corrupt reading. In short, the poet is alluding to the decent cuftom in his time of the women covering their necks and bofom either with Lawn, or Cyprus; both which being tranfparent, the poet beautifully calls it the window-lawn. Vid. Twelfthnight, A& 3. -to one of your receiving Enough is fhewn; a Cyprus, not a bosom, Hides my poor heart. Beaumont and Fletcher in their Scornful Lady. Lady. Pray, put in good words then. El. Love. The worst are good enough for such a trifle, fuch a proud piece of cobweb-lawn. B. Jorfon in his Sejanus, ipoken by Agrippina. And in his Every Man out of bis Humour. She fpeaks, as he goes tir'd, in cobweb-lawn, light thin: And in his Every Man in his Humour. and fhadow her glory as a milliner's wife does her wrought famacher with a fmoaky Lawn, or a black Cyprus. H 3 Nor Nor fight of priest in holy veftments bleeding, I'll take the gold thou giv'ft me, not thy counfel. And be no turn-coats: yet may your pains fix months (Some that were hang'd, no matter :-) Wear them, betray with them; and whore on ftill. A pox of wrinkles! Both. Well, more gold-what then? Believe, that we'll do any thing for gold. Tim. Confumptions fow In hollow bones of man, ftrike their fharp fhins, And mar mens fpurring. Crack the lawyer's voice, (26) And to make a whore a bard.] The power of gold, indeed, may be fuppos'd great, that can make a whore forfake her trade; but what mighty difficulty was there in making a whore turn bawd? And yet, 'tis plain, here he is defcribing the mighty power of gold. He had before fhewn, how gold can perfuade to any villany; he now fhews that it has ftill a greater force, and can ever turn from vice to the practice, or, at leaft, the femblance of virtue. We must therefore read, to reftore fenfe to our author, And to make whole a barod. i. e. not only make her quit her calling, but thereby restore her to reputation. Mr. Warburton. That That he may never more false title plead, [bald, 1-pate ruffians And not believes himself. Down with the nose, Both. More counfel with more money, bounteous Timon. earnest. Akc. Strike up the drum tow'rds Athens; farewel, Timon: If I thrive well, I'll vifit thee again. Tim. If I hope well, I'll never see thee more. Alc. I never did thee harm. Tim. Yes, thou fpok'ft well of me. Alc. Call'st thou that harm? Tim. Men daily find it. Get thee hence, away, And take thy beagles with thee. Alc. We but offend him: strike. [Exeunt Alcibiad. Phryn. and Timand. Tim. That nature, being fick of man's unkindness, Should yet be hungry! common mother, thou Whofe womb unmeafurable, and infinite breaft H 4 Teema Teem with new monfters, whom thy upward face Never prefented-O, a root-dear thanks! Dry up thy marrows, veins, and plough-torn leas, (27) Enter Apemantus. More man? plague, plague! Apem. I was directed hither. Men report, From change of fortune. Why this fpade? this place? (27) Dry up thy marrows, veins, and plough-torn leas.] Mr. Warburton thinks, the uniformity of the metaphor requires that we should read, Dry up thy harrow'd veins, and plough-torn leas. 'Tis certain, the verfe is render'd much more beautiful by this reading; but as, unctious morfels following, by marrows the poet might mean what we call the fat of the land, I have not ventur'd to insert the conjecture into the text. (28) Shame not thefe woods,] But how did Timon any more shame the woods by affuming the character of a cynick, than Apemantus did ? The poet certainly meant to make Apemantus fay, don't difgrace this garb, which thou haft only affected to affume; and to feem the creature thou art not by nature, but by the force and compulfion of poverty. We must therefore reftore, - -Shame not thefe weeds. Apemantus in feveral other paffages of the scene reproaches him with his change of garb. -Why this spade? this place? This flave-like habit? -Do not affume my likeness. If thou did't put this fower cold babit on Το |