Romeo and JulietSaddleback Educational Publ, 1 d’ag. 2006 - 48 pàgines Shakespeare's plays are thought-provoking and complex texts that explore the human themes of romance, deceit, tragedy, comedy, and revenge. These activity guides are designed by teachers for teachers to help students navigate the complexity. Each guide contains a total of 30 activities divided into six sections of four activities and one review. At the end of each guide is a final test, a variety of culminating activities, and an answer key. Each reproducible activity eBook is approximately 68-pages |
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Continguts
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2 | |
3 | |
4 | |
5 | |
The Balcony Rap Act two Scene 2 | 6 |
Love Opinionnaire Act two Scene 2 | 7 |
Friar Lawrence Act two Scene 3 | 8 |
Headlining Act three | 22 |
Review | 23 |
The Friars Plan Act four Scene 1 | 25 |
Juliets Fears Act four Scene 3 | 26 |
Juliets Letter of Explanation Act four Scene 5 | 27 |
Comic Relief Act four Scene 5 | 28 |
Review | 29 |
The Poor Apothecary Act five Scene 1 | 30 |
Figures of Speech Act two | 9 |
Figures of Speech continued | 10 |
Review | 11 |
Mad Mercutio | 12 |
Mad Mercutio continued | 13 |
O I am fortunes fool Act three Scene 1 | 14 |
Telling It to the Prince Act three Scene 1 | 15 |
What the Servant Said Act three Scene 2 | 16 |
Review | 17 |
Romeo the Outlaw Act three Scene 3 | 18 |
The Friar Speaks Up Act three Scene 3 | 19 |
The Friar Speaks Up continued | 20 |
Writing a Soliloquy Act three Scene 5 | 21 |
The Letter Act five Scene 3 | 31 |
Obituaries | 32 |
An Interview with the Friar Act five | 33 |
Review | 34 |
Happy Ending? | 38 |
Shakespeares Words Today | 39 |
Retelling the Story from a Different Perspective | 40 |
The Verona Daily Times | 41 |
Romeo and Juliet the Condensed Version | 42 |
Who Is to Blame? | 43 |
Answer Key | 44 |
Altres edicions - Mostra-ho tot
Frases i termes més freqüents
Act five Act four Act three ACTIVITY 11 ACTIVITY 20 ACTIVITY 9 actor Answers will vary balcony scene Bear-baiting beauty Benvolio blame Capulets and Montagues Chorus Count Paris Culminating Activity current event Directions Imagine families feud fight with Tybalt Figures of Speech Final Test fortune's fool Friar Lawrence Friar Lawrence's cell Friar tells give to Romeo Gossip Columnist headlines help Romeo Juliet Capulet killing Tybalt Lady Capulet lines London look Lord Capulet Mad Mercutio marry Paris masquerade ball MATH night Obituaries overhears parents perspective poison Poor Apothecary Prince Escalus Prologue Queen Mab quotations READING retelling Review Directions Romeo and Juliet Romeo is banished Romeo Montague Rosaline Scene 1 Background Servant Shakespeare Made Easy Shakespeare's plays sheet of paper simile sonnet space provided stage directions story takes the potion teacher tells Romeo theater thee wants wedding wife William Shakespeare Write the letter young lovers
Passatges populars
Pàgina 10 - Well, do not swear: although I joy in thee, I have no joy of this contract to-night : It is too rash, too unadvised, too sudden ; Too like the lightning, which doth cease to be, Ere one can say — It lightens.
Pàgina 10 - Who lets it hop a little from her hand, Like a poor prisoner in his twisted gyves, And with a silk thread plucks it back again, So loving-jealous of his liberty.
Pàgina 35 - What's in a name? That which we call a rose By any other name would smell as sweet: So Romeo would, were he not Romeo called, Retain that dear perfection which he owes Without that title.
Pàgina 34 - Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers
Pàgina 9 - But, soft! what light through yonder window breaks! It is the east, and Juliet is the sun ! — Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she...
Pàgina 9 - O, speak again, bright angel! for thou art As glorious to this night, being o'er my head, As is a winged messenger of heaven Unto the white-upturned wondering eyes Of mortals that fall back to gaze on him, When he bestrides the lazy-pacing clouds And sails upon the bosom of the air.
Pàgina xv - But Shakespeare still had what is considered his finest writing to do. He began his writing of tragedies beginning with Hamlet in 1600. In the following five years, Shakespeare wrote Macbeth, Othello, and King Lear. Why Shakespeare turned to these darker, more serious themes is widely debated by scholars. But all agree that these plays established Shakespeare's premier place in English literature. Toward the end of 1609 through 1610, Shakespeare began to write his problem romances. These works, The...
Pàgina xv - Armada in 1588, when Shakespeare was about 24 years old. Queen Elizabeth was skillful in navigating through the conflicts of religion. She maintained religious independence from Rome as the Church of England became firmly rooted during her reign. Additionally, she financed the establishment of colonies in America to grow the British Empire and expand its economic opportunities. At the end of her reign, England was the leader in trade, naval power, and culture. Because of its role as the main economic,...
Pàgina xvi - ... to a nice sheen, while the other side was rough. Meals were served on the rough side of the board, and then it was flipped for a more elegant look in the room. The table is where we get the terms "room and board" and having "the tables turned." Another important part of a middle or an upper-class home was the bed. Rather than being made of prickly straw, mattresses were now stuffed with softer feathers. Surrounded by artistically carved four posts, these beds were considered so valuable that...
Pàgina xii - Sound effects suggesting thunder, horses, or war were common. Music was important, and drums and horns were often played. Most important to the sense of spectacle were the costumes worn by the actors. These were elaborate, colorful, and very expensive. Therefore, they often purchased these outfits from servants who had inherited the clothes from their masters, or from hangmen, who received the clothes of their victims as payment for their services. Though Shakespeare's stage directions are sparse,...
Referències a aquest llibre
Euphemism & Dysphemism: Language Used as Shield and Weapon Keith Allan,Kate Burridge Visualització de fragments - 1991 |
Consuming the Romantic Utopia: Love and the Cultural Contradictions of ... Eva Illouz Previsualització limitada - 2023 |