The slumberer's mound grows fresh and green, The mosses creep, the gray stones lean, But, long before the once-loved name Is sunk or worn away, No lip the silent dust may claim, That pressed the breathing clay. Go where the ancient pathway guides, The patriarchs of the town; Hast thou a tear for buried love? A sigh for transient power? All that a century left above, Go, read it in an hour! Then, quite forgetting the command In life's exulting burst Of early glee, let go my hand, And now I did not check him more, That patch of churchyard ground, And white clouds o'er that spot would pass, As freely as elsewhere; The sunshine on no other grass A richer hue might wear. And formed from out that very mould In which the dead did lie, The daisy with its eye of gold The rook was wheeling overhead, Nor hastened to be gone The small bird did its glad notes shed, And God, I said, would never give If our one wisdom were to mourn, To nurse, as wisest, thoughts forlorn O no! the glory earth puts on, The child's unchecked delight, Both witness to a triumph won (If we but read aright). So plaintively the soft sea wailed, So blue and breezy were the skies, The very sweetness of it all To moralize. The dial on the chapel side With ivy tendrils was entwined, While, on the breath of ocean borne, This incident, the quiet hour, The sanctity of that lone place, And, as I gazed on it, methought For me to trace. For I interpreted the gesture, To illustrate how holy faith Was the poor soul's unfading vesture, And, with significance sublime, Mute preacher! pensive evergreen! How faith may, through Another's merit, Eternity! Q F. W. Faber. THE CLOSE OF AUTUMN. THE melancholy days are come, the saddest of the year, The robin and the wren are flown, and from the shrubs the jay, Where are the flowers, the fair young flowers, that lately sprung and stood, The windflower and the violet, they perished long ago, |