Ant. O, out of that no hope, And when I rear my hand, do you the like, Seb. O, but one word. What great hope have you! no hope, that way, is To fall it on Gonzalo. Another way so high in hope, that even Ambition cannot pierce a wink beyond,1 But doubts discovery there. Will you grant, with me, That Ferdinand is drown'd? [They converse apart. Music. Re-enter ARIEL, invisible. Ari. My master through his art foresees the Who's the next heir of Naples? danger Seb. Claribel. Ant. She that is queen of Tunis; she that dwells Ten leagues beyond man's life; she that from Naples Can have no note, unless the sun were post, (The man i' the moon's too slow,) till new-horn chins And, look, how well my garments sit upon me; Seb. But, for your conscience- Twould put me to my slipper; but I feel not If he were that which now he's like, that's dead; 1 i. e. The utmost extent of the prospect of ambition, the point where the eye can pass no farther. 2 The commentators have treated this as a remarkable instance of Shakspeare's ignorance of geography; but though the real distance between Naples and Tunis is not so immeasurable, the intercourse in early times between the Neapolitans and the Tunisians was not to frequent as to make it popularly considered less than a formidable voyage; Shakspeare may however be countenanced in his poetical exaggeration, when we remember that Æschylus has placed the river Eridanus in Spain; and that Appolonius Rhodius describes the Rhone and the Po as meeting in one and discharging themselves into the Gulf of Venice. That you, his friend, are in; and sends me forth, While you here do snoring lie, His time doth take: Awake! awake! Ant. O, 'twas a din to fright a monster's ear; Heard you this, Gonzalo? Gon. Upon mine honour, sir, I heard a humming, ther search For my poor son. Heavens keep him from these beasts! For he is, sure, i' the island. Lead away. Ari. Prospero my lord shall know what I have done: [Aside. So, king, go safely on to seek thy son. [Exeunt. SCENE II. Another part of the Island. Enter CALIBAN, with a burden of Wood. A noise of Thunder heard. Cal. All the infections that the sun sucks up From bogs, fens, flats, on Prosper fall, and make him By inch-meal a disease! His spirits hear me, And yet I needs must curse. But they'll nor pinch, Fright me with urchin shows, pitch me i' the mire, Nor lead me, like a fire-brand, in the dark, 3 What is past is the prologue to events which are to come; that depends on what you and I are to perform. 4 A chough is a bird of the jackdaw kind. 5 Suggestion is frequently used in the sense of temptation, or seduction, by Shakspeare and his contemporaries. The sense here is, that they will adopt and bear witness to any tale that may be dictated to them. 6 The old copies read "For else his project dies." By the transposition of a letter, this passage, which has much puzzled the editors, is rendered more intelligible. "to keep them living," relates to projects, and not to Alonzo and Gonzalo, as Steevens and Johnson erroneously supposed. Here comes a spirit of his; and to torment me, Trin. Here's neither bush nor shrub, to bear off any weather at all, and another storm brewing: I hear it sing i' the wind: yond' same black cloud, yond' huge one, looks like a foul bumbard that would shed his liquor. If it should thunder, as it did before, I know not where to hide my head: yond' same cloud cannot choose but fall by pailfuls.What have we here? a man or a fish? Dead or alive? A fish: he smells like a fish; a very ancient and fish-like smell; a kind of, not of the newest, Poor-John. A strange fish! Were I in England now, (as once I was,) and had but this fish painted, not a holiday-fool there but would give a piece of silver: there would this monster make a man; any strange beast there makes a man: when they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian. Legg'd like a man! and his fins like arms! Warm, o' my troth! I do now let loose my opinion, hold it no longer; this is no fish but an islander, that hath lately suffered by a thunderbolt. [Thunder.] Alas! the make him give ground: and it shall be said so again, while Stephano breathes at nostrils. Cal. The spirit torments me: O! Ste. This is some monster of the isle, with four legs; who hath got, as I take it, an ague: Where the devil should he learn our language? I will give him some relief, if it be but for that if I can recover him, and keep him tame, and get to Naples with him, he's a present for any emperor that ever trod on neat's-leather. Cal. Do not torment me, pr'ythee; I'll bring my wood home faster. Ste. He's in his fit now; and does not talk after the wisest. He shall taste of my bottle: if he hath never drunk wine afore, it will go near to remove his fit: if I can recover him, and keep him tame, I will not take too much for him: he shall pay for him that hath him, and that soundly. Cal. Thou dost me yet but little hurt; thou wilt Anon, I know it by thy trembling: Now Prosper works upon thee. Ste. Come on your ways; open your mouth; here is that which will give language to you, cat; open your mouth: this will shake your shaking, I can tell you, and that soundly: you cannot tell who's your friend: open your chaps again. Trin. I should know that voice: It should beBut he is drowned; and these are devils: O! defend me! Ste. Four legs, and two voices; a most delicate monster! His forward voice now is to speak well of his friend; his backward voice is to utter foul speeches, and to detract. If all the wine in my bottle will recover him, I will help his ague; mouth. storm is come again: my best way is to creep Come, Amen! I will pour some in thy other under his garberdine; there is no other shelter hereabout: Misery acquaints a man with strange bed-fellows. I will here shroud, till the dregs of the storm be past. Enter STEPHANO, singing; a bottle in his hand. This is a very scurvy tune to sing at a man's fu neral: Well, here's my comfort. [Drinks, The master, the swabber, the boatswain, and I, The gunner, and his mate, Lov'd Mall, Megg, and Marian, and Margery, But none of us cared for Kate: For she had a tongue with a tang, Would cry to a sailor, Go, hang: She lov'd not the savour of tar nor of pitch, Yet a tailor might scratch her where-e'er she did itch: Then to sea boys, and let her go hang. This is a scurvy tune too: But here's my comfort. [Drinks. Cal. Do not torment me: O! Ste. What's the matter? Have we devils here? Do you put tricks upon us with savages, and men of Inde? Ha! I have not scap'd drowning, to be afeard now of your four legs; for it hath been said, As proper a man as ever went on four legs, cannot 1 To moe is to make mouths. "To make a moe like an ape. Distorquere os. Rictum deducere."-Baret. 2 Pricks is the ancient word for prickles. 3 A bumbard is a black jack of leather, to hold beer, &c. 4 1. e. make a man's fortune. Thus in A Midsummer Night's Dream "We are all made men." And in the old comedy of Ram Alley"She's a wench Was born to make us all." 5 A gaberdine was a coarse outer garment. "A shepherd's pelt, frock, or gaberdine, such a coarse long jacket as our porters wear over the rest of their garments," says Cotgrave. "A kind of rough cassock or frock like an Irish mantle," says Philips. It is from the low Latin Galvardina, whence the French Galvardin and Gaban. One would almost think Shakspeare had been acquainted with the following passage in Trin. Stephano, Ste. Doth thy other mouth call me? Mercy! mercy! This is a devil, and no monster: I will leave him; I have no long spoon. Stephano! If thou beest Stephano, touch me, and speak to me; for I am Trinculo;be not afeard, -thy good friend Trinculo. Ste. If thou beest Trinculo, come forth; I'll pull thee by the lesser legs; If any be Trinculo's legs, these are they. Thou art very Trinculo, indeed: How cam'st thou to be the siege of this moon-calf? Can he vent Trinculos? Trin. I took him to be killed with a thunderstroke:-But art thou not drowned, Stephano? I hope now, thou art not drowned. Is the storm overblown? I hid me under the dead moon-calf's10 gaberdine, for fear of the storm: And art thou living, Stephano? O Stephano, two Neapolitans 'scap'd! Ste. Pr'ythee, do not turn me about; my stomach is not constant. Cal. These be fine things, an if they be not Trin. sprites. That's a brave god, and bears celestial liquor: Ste. How did'st thou 'scape? How cam'st thou hither? swear by this bottle, how thou cam'st hither. I escaped upon a butt of sack, which the sailors heaved over-board, by this bottle! which I Chapman's version of the fourth Book of the Odyssey: So passing sowre (they still being bred at seas) To lie by one of these same sea-bred whales." 6 No impertinent hint to those who indulge in the constant use of wine. When it is necessary for them as a medicine, it produces no effect. 7 Any sum, ever so much, an ironical expression implying that he would get as much as he could for him. 8 Shakspeare gives his characters appropriate language, "They belch forth proverbs in their drink," Good Good liquor will make a cat speak," and "he who eats with the devil had need of a long spoon." The last is again used in The Comedy of Errors, Act iv. Sc. 2. 9 Siege for stool, and in the dirtiest sense of the word. 10 The best account of the moon-calf may be found in Drayton's poem with that title. made of the bark of a tree, with mine own hands, since I was cast a-shore. АСТ ІШ. Cal. Pll swear, upon that bottle, to be thy true SCENE I.-Before Prospero's Cell. Enter FER subject; for the liquor is not earthly. Ste. Here; swear then how thou escap'dst. Trin. Swam a-shore, man, like a duck; I can swim like a duck, I'll be sworn. Ste. Here, kiss the book: Though thou canst swim like a duck, thou art made like a goose. Trin. O Stephano, hast any more of this? Ste. The whole butt, man; my cellar is in a rock by the sea-side, where my wine is hid. How now, moon-calf? how does thine ague? Cal. Hast thou not dropped from heaven?! Ste. Out o' the moon, I do assure thee: I was the man in the moon, when time was. Cal. I have seen thee in her, and I do adore thee; my mistress shewed me thee, and thy dog, and thy bush. Ste. Come, swear to that: kiss the book: I will furnish it anon with new contents: swear. Trin. By this good light, this is a very shallow monster:I afeard of him?-a very weak monster:-The man i' the moon?-a most poor credulous monster: -Well drawn, monster, in good sooth. Cal. I'll shew thee every fertile inch o' the island; And I will kiss thy foot: I pr'ythee, be my god. Trin. By this light, a most perfidious and drunken monster; when his god's asleep, he'll rob his bottle. grow; And I with my long nails will dig thee pig-nuts; Shew thee a jay's nest, and instruct thee how To snare the nimble marmozet; I'll bring thee To clust'ring filberds, and sometimes I'll get thee Young sea-mells from the rock: Wilt thou go with me? Ste. I pr'ythee now, lead the way, without any more talking. Trinculo, the king and all our company else being drowned, we will inherit here. Here; bear my bottle. Fellow Trinculo, we'll fill him by and by again. Cal. Farewell, master; farewell, farewell. [Sings drunkenly. Trin. A howling monster; a drunken monster. Nor scrape trenchering, nor wash dish; Has a new master-Get a new man. Freedom, hey-day! hey-day, freedom! hey-day, freedom! Ste. O brave monster! lead the way. [Exeunt. 1 The Indians of the Island of S. Salvador asked by signs whether Columbus and his companions were not come down from heaven. 2 The reader may consult a curious note on this passage in Mr. Douce's very interesting Illustrations of Shakspeare; where it is observed that Dante makes Cain the man in the moon with his bundle of sticks; or in other words describes the moon by the periphrasis "Caino e le spinc." DINAND, bearing a Log. Fer. There be some sports are painful; and their labour Delight in them sets off: some kinds of baseness Had ne'er like executor. I forget: Most busy-less, when I do it. Enter MIRANDA; and PROSPERO at a distance. He's safe for these three hours. O most dear mistress, The sun will set, before I shall discharge If you'll sit down, I'll bear your logs the while: Pray, give me that; No, precious creature; I'd rather crack my sinews, break my back, Than you should such Mira, It would become me and I should do it As well as it does you And your's it is against. Pro. Poor worm! thou art infected; This visitation shews it. When you are by at night. I do beseech you, (Chiefly that I might set it in my prayers,) What is your name? Mira. Miranda:-O my father, I have broke your hest to say so! Fer. Admir'd Miranda! Indeed, the top of admiration; worth Brought my too diligent ear: for several virtues 3 A smaller species of sea-gulls. 4 Pope changed and to but here, without authority: we must read and in the sense of and yet. 5 Molliter austerum studio fullente laborem.-HorSat. ii. 1. 2. 6 "Tu mihi curarum Lumen." Tibull. lib. iv. el. 13. 8 See Note 37, p. 31. 7 See Note 27, p. 26. 9 In the first book of Sidney's Arcadia, a lover says of his mistress: "She is herself of best things the collection." In the third book there is a fable which may have been in Shakspeare's mind. Mira. I do not know One of my sex; no woman's face remember, Save, from my glass, mine own; nor have I seen More that I may call men, than you, good friend, And my dear father: how features are abroad, I am skill-less of; but, by my modesty, (The jewel in my dower,) I would not wish Any companion in the world but you; Nor can imagination form a shape, Besides yourself, to like of: but I prattle Something too wildly, and my father's precepts I therein do forget. Fer. I am, in my condition, A prince, Miranda; I do think, a king; (I would, not so!) and would no more endure This wooden slavery, than to suffer The flesh-fly blow my mouth. speak; The very instant that I saw you, did Hear my soul My heart fly to your service; there resides, To make me slave to it; and, for your sake, Am I this patient log-man. Mira. Do you love me? Аст IM Ste. Drink, servant-monster, when I bid thee; thy eyes are almost set in thy head. Trin. Where should they be set else? he were a brave monster indeed, if they were set in his tail. Ste. My man-monster hath drowned his tongue in sack: for my part, the sea cannot drown me: I swam, ere I could recover the shore, five-andthirty leagues, off and on, by this light. Thou shalt be my lieutenant, monster, or my standard. Trin. Your lieutenant, if you list; he's no standard. Ste. We'll not run, monsieur monster. Trin. Nor go neither: but you'll lie, like dogs; and yet say nothing neither. Ste. Moon-calf, speak once in thy life, if thou beest a good moon-calf. Cal. How does thy honour? Let me lick thy shoe: I'll not serve him, he is not valiant. Trin. Thou liest, most ignorant monster; I am in case to justle a constable: Why, thou deboshed fish thou, was there ever man a coward, that hath drunk so much sack as I to-day? Wilt thou tell a monstrous lie, being but half a fish, and Fer. O heaven, O earth, bear witness to this half a monster? sound, And crown what I profess with kind event, If I speak true; if hollowly, invert What best is boded me to mischief! I, Beyond all limit of what else' i' the world, Do love, prize, honour you. Mira. I am a fool, To weep at what I am glad of.2 Pro. Fair encounter Of two most rare affections! Heavens rain grace Wherefore weep you? Mira. At mine unworthiness, that dare not offer Cal. Lo, how he mocks me! wilt thou let him, my lord? Trin. Lord, quoth he!-that a monster should be such a natural! Cal. Lo, lo, again! bite him to death, I pr'ythee. Ste. Trinculo, keep a good tongue in your head; if you prove a mutineer, the next tree-The poor monster's my subject, and he shall not suffer indignity. Cal. I thank my noble lord. Wilt thou be pleas'd to hearken once again to the suit I made thee? Ste. Marry will I: kneel, and repeat it; I will stand, and so shall Trinculo. Mira. And mine, with my heart in't: and now Proceed. farewell, Till half an hour hence. Fer. A thousand! thousand! [Exeunt FER. and MIR. Pro. So glad of this as they, I cannot be, Who are surpris'd with all; but my rejoicing At nothing can be more. I'll to my book; For yet, ere supper time, must I perform Much business appertaining. [Exit. SCENE II.-Another part of the Island. Enter STEPHANO and TRINCULO; CALIBAN following with a Bottle. Ste. Tell not me; -when the butt is out, we will drink water; not a drop before: therefore bear up, and board 'em: Servant-monster, drink to me. Trin. Servant-monster? the folly of this island! They say, there's but five upon this isle: we are three of them; if the other two be brained like us, the state totters. 1 What else, for whatsoever else. 2 Steevens observes justly that this is one of those touches of nature which distinguish Shakspeare from all other writers. There is a kindred thought in Romeo and Juliet: "Back, foolish tears, back to your native spring! Your tributary drops belong to woe, Which you mistaking offer up to joy." 3 i. e. your companion. Malone has cited a very Where the quick freshes are. Ste. Trinculo, run into no further danger: inapposite passage from Catullus; but, as Mr. Douce remarks, Shakspeare had more probably the pathetic old poem of The Nut Brown Maid in his recollection. 4 Deboshed, this is the old orthography of debauched; following the sound of the French original. In altering the spelling we have departed from the proper pronunciation of the word. 5 He calls him a pied ninny, alluding to Trinculo's party-coloured dress, he was a licensed fool or jester. 6 Quick freshes are living springe. him, Having first seiz'd his books; or with a log He has brave utensils, (for so he calls them,) Calls her a non-pareil: I never saw a woman, But only Sycorax my dam, and she; But she as far surpasseth Sycorax, As great'st does least. Ste. Is it so brave a lass? Thought is free. Cal. That's not the tune. [ARIEL plays the tune on a tabor and pipe. Ste. What is this same? Trin. This is the tune of our catch, played by the picture of No-body.2 1 Wezand, i. e. throat or windpipe. 2 The picture of No-body was a common sign. There is also a wood cut prefixed to an old play of No-body and Some-body, which represents this notable person. 3 To affear, is an obsolete verb with the same meaning as to affray, or make afraid. 4 "You shall heare in the ayre the sound of tabers and other instruments, to put the trauellers in feare, &c. by evill spirites that make these soundes, and also do call diuerse of the trauellers by their names, &c."Trauels of Marcus Paulus, by John Frampton, 4to. 1579. To some of these circumstances Milton also al ludes: Sometimes a thousand twangling instruments Will make me sleep again: and then, in dreaming, Ste. This will prove a brave kingdom to me, where I shall have my music for nothing. Cal. When Prospero is destroyed. Ste. That shall be by and by: I remember the story. Trin. The sound is going away: let's follow it, and after, do our work. Ste. Lead, monster; we'll follow. I would, I could see this taborer: he lays it on. Trin. Wilt come? I'll follow, Stephano. [Exeunt. SCENE III.-Another part of the Island. Enter ALONSO, SEBASTIAN, ANTONIO, GONZALO, ADRIAN, FRANCISCO, and others. Gon. By'r lakin, I can go no further, sir; My old bones ache; here's a maze trod, indeed, Through forth-rights, and meanders! by your pa tience, I needs must rest me. Alon. Old lord, I cannot blame thee, Who am myself attach'd with weariness, Whom thus we stray to find; and the sea mocks [Aside to SEBASTIAN. Do not, for one repulse, forego the purpose Will we take thoroughly. Ant. The next advantage Let it be to-night: For, now they are oppress'd with travel, they Will not, nor cannot, use such vigilance, As when they are fresh. I say, to-night: no more. Solemn and strange music; and PROSPERO above, invisible. Enter several strange Shapes, bringing in a Banquet; they dance about it with gentle actions of salutation; and inviting the King, &c. to eat, they depart. Alon. What harmony is this? my good friends, hark! phœnix At this hour reigning there. "calling shapes, and beckoning shadows dire; And aery tongues that syllable men's names On sands, and shores, and desert wildernesses." 5 By'r lakin is a contraction of By our ladykin, the diminutive of our lady. 6 Shows, called Drolleries, were in Shakspeare's time performed by puppets only. From these our modern drolls, exhibited at fairs, &c. took their name. "A living drollery," is therefore a drollery not by wooden but by living personages. 7 "I myself have heard strange things of this kind of tree; namely, in regard of the Bird Phœnix, which is supposed to have taken that name of this date tree |