Dürer, portraits reproduced, Albert Dürer the Elder, 1497; 426 Dürer's Father at Syon House, 435 Dürer's Father in the Städel Institute, Frankfort, 435 his idea of proportion, 475, 481 Dutuit Collection of Rembrandt Etchings, 69 Dutuit, August, his bequest, 72 Christ Healing the Sick, 73; John Uijtenbogaerdt (third influence of French and Sienese artists on, 92, 281 evolution of the art of Sculpture, 279 centres of French art, 282 important stage in development of Franco-Flemish art, naturalism of early xv century work most approximate Pietà from Villeneuve-les Avignon greatest work in the paintings, etc., at, details of Narbonne Altar-Frontal, 93, 95; Portrait of G. J. des Ursins, by Fouquet, 95; Death of the General Index to Volume V French Primitives, paintings-cont. quet, 361; The Nativity, by the Master of Moulins, 363; Froment, Nicholas, French painter, 380 Furniture and furniture makers, see Claydon House, Dr. Horne's Furniture of XVIII cent., English: minor makers, 173-178 history and evolution of, 482-503 introduction of painting on, and re-introduction of inlay and its present value, 337 miniature reproduced on p. 332 portrait in his picture of the Ambassadors identified, 413 Holland, notes from, 111, 328-329, 423, 507-8 his collection of English furniture by Chippendale, Man- Ivory and bone caskets (mediaeval), 299 their design connected with contemporary romance and logical sequence of ideas can be traced in, 305-6 a French casket described, 299-305 an Italian casket described, 309 Italian work executed under French influence, 306 309 illustrations: The Story of Aristotle, 301; the taking of the JACOPO DELLA QUERCIA, Sienese sculptor, 581, 582 Jacquemart de Hesdin, painter, 284 Jacques Baerse, Flemish painter, 284 Jan Malouel, painter, 285 Jean d'Orleans, Charles V.'s painter, 280 Jean de Dinteville, portrait of, identified, 413 painting and drawing of, reproduced on p. 412 Johnson, furniture designer, 177, 243 KAISER FRIEDRICHS museum, completion of, 597 LACE: Blackborne collection, 557 ancient motifs preserved in symbolism of, 557-560 cutwork, or 'Greek' lace: origin and description of, 559 Laugier, maker of faience, 466 Legend of Christ's Portrait of Himself, 518-528 three versions of this picture, 521 the one at the Vatican palace described, 521 the Genoese version, 521, 522 Legend of Abgarus,' 527, 528 miniatures illustrating it reproduced on p. 526 Letters, see Autograph letters to the Editor, 597 Liège exhibition, 1905, entrance bridge, 596 Lille museum, contribution to Exhibition of French Primitives, La Mort et le Bucheron, at Copenhagen, 121 his visit to Greville, his home, in 1854, 121 his grandmother's share in his training, 121 painting of Une Paysanne menant faitre ses vaches, 141 presented to museum of Bourg en-Bresse by Napo- other paintings described on p. 141 M. Gavet's collection of Millet drawings exhibited in 1875, 142 painting of Grande Tondeuse, twice exhibited, 139 painting: Le Nouveau-né, 139 exhibited in Salon of 1864, 139 ridiculed by critics, 139-140 drawings: Les Travaux des Champs, 123, 125, 127, 129, 131, studies for Les Glaneuses, 53, 55, 57, 59 studies for Les Lavendières, 61, 63, 65; Les Lavendières, 67 Modern pictures as an investment, 5 Monaco, Lorenzo, Renaissance painter, 439 Madonna and Child, by, reproduced on p. 443 Morgan, J, Pierpont, triptych by Nardon Penicaud, 98; former Moritz von Schwind, Prince Consort influenced by, 8 Morris, Henry, painter of Welsh porcelain, student of Billingsley, PACCHIA, Sienese painter, paintings by, attributed to Pacchiarotto, Palazzo Pubblico, (Siena), exhibition of ancient art at, 581 date and whereabouts of earliest dated picture, 98 Periodicals, see Bibliography Pictures (notable) in contemporary exhibitions, 232, 334 Madonna and Child, by, reproduced on p. 447 Pisanello, 408 portrait in Louvre by, identified, 413 Pol de Limbourg, miniaturist, 281, 286, 356 designs in his book, ' Hours at Chantilly,' another miniature attributed to, 298 Pollard, William, painter of Welsh Porcelain, 403 Porcelain, see under Ceramics General Index to Volume V Richard II-cont. style of painting of the miniatures, 162 above described in Creton's account, 161, 162, 171, 172, Rijks Museum, Amsterdam, 111, 319, 507 paintings of Netherlands school acquired, 423 drawings by, in Ionides collection, 456 drawings (two) of heads reproduced on p. 457 Royal Academy and Old Masters, 4 Royal collections, The, 7, 349, 517 SALES, see Book Sales reproduced on p. 577 Segna di Bonaventura, Sienese painter, 582 Shearer, furniture designer, 503 Satinwood bookcase by, reproduced on p. 499 Sheraton, designer and manufacturer of furniture, 484, 485, 503 Simone Martini, Sienese painter, 582 Soane Museum, Chippendale chairs at, 381, 391 St. Sebastian and St. Christopher possibly painted by, 573 Somzée Collection, sale of, 422, 506 Spence, William Blundell, painter, actor, and musician, 310 on p. 311 Speyer, Edgar, his collection of furniture, etc., described, 544 sculpture, tapestries, maiolica, terra-cottas, pictures and fur- Illustrations: The Buffet in the Dining-Room, 549; a corner St. Louis Exhibition, dispute between German Emperor and Studio, 4 TAMISE, Roman well discovered, 507 Tervueren museum near Brussels, building commenced, 422 Titian, Portrait of Ariosto bought by National Gallery, 516 Tzane, Emmanuel, Greek picture copyist, probable painter of URBANO da Cortona, sculptor, 581 409 Van Eycks, discovery of their studio, 507 Vecchietta, Sienese sculptor and miniaturist, 581-584 Velazquez at Vienna Gallery, 338-40 supreme position as painter of children, 338 his masterpiece of child life, 338 his earliest work in the Vienna Gallery, 338 Baltasar Carlos, earliest painting by, at Vienna, 338 Infanta in Red, compared with the Prado masterpiece, 340 treatment of children akin to that of Master of the Meninas, Paintings:- Queen Mariana in White, 341; The Infant Margarita, 343 ; Verney, Sir Edmund, owner of Claydon House, 13 maladministration of, 513-515 need of a ministry of fine arts, 515 WALKER, Samuel, potter and manufacturer of Nantgarw, 398 334-5 Wallace Collection, 7 Watteau, an unknown, in the National Gallery of Ireland, for- his power to express feeling and life in this picture, 238 Watts, G. F., death of, 442 characteristics of his style, 442 portrait of, from drawing by Marchioness of Granby, 443 Wavre, excavations at, ruins of Roman villa discovered, 422 Whitgift Hospital at Croydon, its historical interest, attempt to Winter Exhibition, The, 4. 5 YOUNG, manufacturer of Nantgarw, 398, 403 ZENALE, see Martini Bernardo |