Shakespeare and the Triple Play: From Study to Stage to ClassroomSidney Homan Bucknell University Press, 1988 - 239 pàgines Developing the interrelationship of Shakespeare scholarship, performance, and teaching, the contributors to this collection, including scholars of the People's Republic of China, share the perspective that Shakespeare's plays be viewed as texts to be enacted, whether on the theater stage or the stage of the mind's eye. |
Des de l'interior del llibre
Resultats 1 - 5 de 48.
Pàgina 11
... sense of being wondrous , some- thing that enhances the lives of all its participants . To be sure , Shakespeare's text may be construed as literature , or read as autobiography , or as a window to the mentality of his age . It can even ...
... sense of being wondrous , some- thing that enhances the lives of all its participants . To be sure , Shakespeare's text may be construed as literature , or read as autobiography , or as a window to the mentality of his age . It can even ...
Pàgina 15
... sense of our own needs . " I have taken an editor's liberty in chapter 4 of abridging somewhat Mason Wang's translations of " Hamlet's Melancholy " by Zhang Siyang and " Shakespeare and the Idea of Nature in the Renaissance " by Zhang ...
... sense of our own needs . " I have taken an editor's liberty in chapter 4 of abridging somewhat Mason Wang's translations of " Hamlet's Melancholy " by Zhang Siyang and " Shakespeare and the Idea of Nature in the Renaissance " by Zhang ...
Pàgina 17
... sense of conscience that alternately encourages and pro- hibits behavior , can encourage a cruel or an appealing Macbeth , a domineering or a soft - natured Lady Macbeth . That today actors and scholars tend to see each of the two ...
... sense of conscience that alternately encourages and pro- hibits behavior , can encourage a cruel or an appealing Macbeth , a domineering or a soft - natured Lady Macbeth . That today actors and scholars tend to see each of the two ...
Pàgina 29
... sense of moral indebtedness and this discovery sends him into the wilderness where he digs up gold and identifies it as a visible god , a god that cannot " redeem " or atone mankind but can circulate the diseases that will bind men in ...
... sense of moral indebtedness and this discovery sends him into the wilderness where he digs up gold and identifies it as a visible god , a god that cannot " redeem " or atone mankind but can circulate the diseases that will bind men in ...
Pàgina 32
... sense of his own personal worth derives largely from the superiority of the " human " Christian to the " animal " Jew and , as he ( and everyone else ) says again and again , to the " devil " Jew . From the perspective of the Christians ...
... sense of his own personal worth derives largely from the superiority of the " human " Christian to the " animal " Jew and , as he ( and everyone else ) says again and again , to the " devil " Jew . From the perspective of the Christians ...
Continguts
9 | |
11 | |
23 | |
25 | |
27 | |
Magic and Politics in The Tempest | 43 |
Between the Mirror and the Face Symbolic Reality in Richard II | 58 |
4 | 76 |
The Camera in Gertrudes Closet | 150 |
The Classroom | 175 |
Intentions Options and Greatness An Example from A Midsummer Nights Dream | 177 |
Actualizing the Metaphor Image and Act in Twelfth Night and King Lear | 187 |
Hamlets First Soliloquy An Exercise | 197 |
Shakespeare Liveon Videotape | 201 |
Students Write about Shakespeare The Triple Play in the College Classroom | 207 |
The Triple Stage and the National Endowment Shakespeare Institute | 215 |
b Shakespeare and the Idea of Nature in the Renaissance | 82 |
Hamlets Fat | 89 |
The Stage | 105 |
Notes on Playing Prospero | 107 |
The Merry Wives of Windsor in the Peoples Republic of China A Directors Notebook | 116 |
Culture Character and Conscience in Shakespeare | 138 |
Afterword | 223 |
Afterword | 225 |
Notes on the Contributors | 231 |
Index | 235 |
Altres edicions - Mostra-ho tot
Shakespeare and the Triple Play: From Study to Stage to Classroom Sidney Homan Visualització de fragments - 1988 |
Frases i termes més freqüents
action actors Alonso Antonio Ariel audience Bassanio become Caliban camera characters classroom Claudius Claudius's closet scene Comedy costumes critics culture death director divine right Dover Wilson downstage drama Egeus Egeus's Elizabethan English essays exit experience Falstaff farce father feel Ferdinand Folio Ford Gertrude Gertrude's Ghost gold Grumio Hamlet Hermia human husband interpretation Jilin University King Lear Lady London look Lysander Macbeth magic marriage melancholy Merchant of Venice Metadrama metaphor Midsummer Night's Dream Miranda mirror moral mother murder nature Olivier onstage performance Petruchio Philostrate play's playwright political Polonius Portia production Prospero Quarto reading reality response Richard Richard II role seems sense sexual Shake Shakespeare Shakespeare's plays Shylock silence Slender speak speare's speech stage suggests symbolic teachers teaching Tempest theater theatrical Theseus Theseus's thou tion tragedy tragic triple play University Press visual William Shakespeare Windsor Wives words York Zhang
Passatges populars
Pàgina 51 - twixt the green sea and the azur'd vault Set roaring war...
Pàgina 37 - I am a Jew. Hath not a Jew eyes ? hath not a Jew hands, organs, dimensions, senses, affections, passions ? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer as a Christian is...
Pàgina 80 - O, what a noble mind is here o'erthrown! The courtier's, soldier's, scholar's, eye, tongue, sword; The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Pàgina 44 - gainst my fury Do I take part : the rarer action is In virtue than in vengeance: they being penitent, The sole drift of my purpose doth extend 30 Not a frown further.
Pàgina 46 - Now I want Spirits to enforce, art to enchant ; And my ending is despair, Unless I be relieved by prayer ; Which pierces so, that it assaults Mercy itself, and frees all faults.
Pàgina 80 - The observed of all observers, quite, quite down! And I, of ladies most deject and wretched, That sucked the honey of his music vows, Now see that noble and most sovereign reason, Like sweet bells jangled, out of tune and harsh ; That unmatched form and feature of blown youth Blasted with ecstasy.
Pàgina 46 - Now my charms are all o'erthrown, And what strength I have's mine own, Which is most faint: now, 'tis true, I must be here confined by you, Or sent to Naples.
Pàgina 86 - The which observed, a man may prophesy, With a near aim, of the main chance of things As yet not come to life, which in their seeds And weak beginnings lie intreasured. Such things become the hatch and brood of time...
Pàgina 54 - em. Cal. I must eat my dinner. This island's mine, by Sycorax my mother, Which thou tak'st from me. When thou cam'st first, Thou stroked'st me, and made much of me ; wouldst give me Water with berries in't ; and teach me how To name the bigger light, and how the less, That burn by day and night. And then I loved thee, And show'd thee all the qualities o...
Pàgina 47 - I'd divide And burn in many places ; on the topmast, The yards, and bowsprit, would I flame distinctly, Then meet and join. Jove's lightnings, the precursors O...