Worship as Body Language: Introduction to Christian Worship : an African OrientationLiturgical Press, 1997 - 369 pàgines Worship sets an assembly in motion movement towards God in response to God's movement towards humans thus creating a resilient and caring community. Worship as Body Language brings the African community's experience of the body and its gestures together with the Christian liturgy, since worship and social action are closely related. The body language" or gestures of praise, adoration, contemplation, ritual dance, and care of the neighbor are meaningful to the ethnic group; African Christians tune into these body motions to express the one Christian faith. In Worship as Body Language, Father Uzukwu details how patterns of African ritual assemblies and sacred narratives have merged with Jewish, gospel, and early Church traditions to create living Christian communities and liturgies. Using a socio-historical method, this book sheds new light on liturgical action and theology, and suggests more transition rituals. It also provides samples of emergent African Christian liturgies that emphasize intense community participation with appropriate gestures. These local liturgies attest to the patristic principle that different customs actually confirm the unity of our faith in Christ. Scholars teaching and researching the foundations of the liturgy and liturgical inculturation, graduate students, and those organizing workshops on the regional, diocesan, or parish level will find Worship as Body Language a ready handbook on the liturgy. It is also a useful textbook for introducing college students and seminarians to the anthropological, historical, and theological dimensions of the liturgy. Elochukwu E. Uzukwu, CSSp, ThD, lectures in liturgy and African theology in seminaries and Catholic universities in Nigeria, Congo, Zaire, and France. He is the author of Liturgy: Truly Christian, Truly African, and the editor of Bulletin of Ecumenical Theology. " |
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... Divine Worship over the " Zairean rite . " The challenges they faced , which were necessary in the dialogue between sister churches , were also a great help in my in- depth research into liturgical history . I am also grateful to the ...
... divine interaction embodies the ludic — an- other name for creativity . The pattern of religious ritual celebrations reveals what Hugo Rahner aptly calls man at play , or homo ludens ac- cording to Johan Huizinga . The play dimension of ...
... divine ) posit gestures full of meaning , yet bound to no mathematical necessity : the human gesture is a prayer ( soliciting or seducing the divine anchor ) , while the divine pleasure to respond to prayer is not a necessity . The divine ...
... divine , between this earth and the unseen world — bringing out the ludic and creative dimension of ritual — there is rather an insistence on imposing on humans a sacredness that irrupts from the outside , that defines itself solely by ...
... divine saving activity as contained in their foun- dation story . Among the African groups the story may be celebrated periodically ( annually , like in the new year festival ) or occasionally ( for example , at the coronation of chiefs ...
Continguts
1 | |
41 | |
54 | |
Foundation Stories MythSymbols | 84 |
Endnotes | 201 |
Passage Through Life and Its Ritual Hallowing | 220 |
The Inculturation of Sacramental Celebration of Christian Initiation | 229 |
Endnotes | 256 |
Emergent Creative Liturgies in Africa | 265 |
Endnotes | 317 |
Bibliography | 325 |
Index | 347 |
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Authentic Worship: Hearing Scripture's Voice, Applying Its Truths Herbert W. Bateman Previsualització limitada - 2002 |