Worship as Body Language: Introduction to Christian Worship : an African OrientationLiturgical Press, 1997 - 369 pàgines Worship sets an assembly in motion movement towards God in response to God's movement towards humans thus creating a resilient and caring community. Worship as Body Language brings the African community's experience of the body and its gestures together with the Christian liturgy, since worship and social action are closely related. The body language" or gestures of praise, adoration, contemplation, ritual dance, and care of the neighbor are meaningful to the ethnic group; African Christians tune into these body motions to express the one Christian faith. In Worship as Body Language, Father Uzukwu details how patterns of African ritual assemblies and sacred narratives have merged with Jewish, gospel, and early Church traditions to create living Christian communities and liturgies. Using a socio-historical method, this book sheds new light on liturgical action and theology, and suggests more transition rituals. It also provides samples of emergent African Christian liturgies that emphasize intense community participation with appropriate gestures. These local liturgies attest to the patristic principle that different customs actually confirm the unity of our faith in Christ. Scholars teaching and researching the foundations of the liturgy and liturgical inculturation, graduate students, and those organizing workshops on the regional, diocesan, or parish level will find Worship as Body Language a ready handbook on the liturgy. It is also a useful textbook for introducing college students and seminarians to the anthropological, historical, and theological dimensions of the liturgy. Elochukwu E. Uzukwu, CSSp, ThD, lectures in liturgy and African theology in seminaries and Catholic universities in Nigeria, Congo, Zaire, and France. He is the author of Liturgy: Truly Christian, Truly African, and the editor of Bulletin of Ecumenical Theology. " |
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... dance , which display the assembled body of worshipers before God or spirits , have meaning within an ethnic group . Christian worship , as a human expression of the encounter with the God of Jesus Christ , must always be local . The ...
... dance was gradually eliminated from the liturgy in medieval Christendom.8 The priority of the hand as the highest ... dancing , each particular gesture , whether accompanied by words or not , establishes communication among the group and ...
... dance in most African communities . This link between music and dance is not lim- ited to Africa . For , as Roger Bacon says , music ( with its instrumenta- tion , song , rhythm , and meter ) remains incomplete without gestures the ...
... dance in the Church mentioned by John Chrysostom and Gregory Nazianzen or the Easter dance of the subdeacons in the twelfth century remain isolated . The stretching and flexing of the body were not considered by the elite as moderate ...
... dancer in the hierarchical order in making the round . The gestures of the dance of death were consid- ered excessive . In addition , they desecrated holy ground . They were consequently denounced.20 However , from the twelfth century a ...
Continguts
1 | |
41 | |
54 | |
Foundation Stories MythSymbols | 84 |
Endnotes | 201 |
Passage Through Life and Its Ritual Hallowing | 220 |
The Inculturation of Sacramental Celebration of Christian Initiation | 229 |
Endnotes | 256 |
Emergent Creative Liturgies in Africa | 265 |
Endnotes | 317 |
Bibliography | 325 |
Index | 347 |
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Authentic Worship: Hearing Scripture's Voice, Applying Its Truths Herbert W. Bateman Previsualització limitada - 2002 |