Adam Bede, George Eliot, 97 n.
Adventures of Harry Richmond,
The, George Meredith, 322 n.

Two Illustrious Impostors, 26,
117-123; The Game of Life,
250, 333-337.

Ainsworth, Harrison, 3.

Austen, Jane (1775-1817), novel-
writer, 7; delicacy of touch,
18; A Letter of Consolation,
26, 58, 59.

inson Crusoe), Daniel Defoe,
134, 135-145.

Curates at Tea, The (Shirley),
Charlotte Brontë, 26, 89-97.

Kipling, 4.

Barrie, J. M. (1860), Preparing
to Receive Company, 26, 127–
131.

Borrow, George( 1803-1881), The
Gypsy's Philosophy, 134, 173–
175.

Brontë, Charlotte (1816-1855),

Jane Eyre, 15, 16, 17; triumph
in fiction, 18; The Curates at
Tea, 26, 89-97; The Exposure
of Jane Eyre, 250, 290-298.
Brontë, Emily, 16, 17, 18.
Burney, Frances, 18.
Byron, Lord, popularity, 7.

CABLE, 22.

Childish Sorrows (The Mill on
the Floss), George Eliot, 250,
298-308.

Clare's Diary (The Ordeal of
Richard Feverel), George Mere-
dith, 134, 197-203.

Clemens, Samuel L. (1835-1910),

ens, 10, 12, 190 n.
Death of a Gentleman, The
(John Ward, Preacher), Mar-
garet Deland, 134, 240-247.
Death of Dorian Gray, The (The
Picture of Dorian Gray), Oscar
Wilde, 134, 233-239.
Death of Steerforth, The (David
Copperfield), Charles Dickens,
134, 190-196.

Defoe, Daniel (1661-1731), Rob-
inson Crusoe, 7, 15; Crusoe
Finds the Footprint, 134, 135–
145.

Deland, Margaret (1857), The
Death of a Gentleman, 134,
240-247.

Democratic novel, The, 19.
Dickens, Charles (1812-1870),
Sketches by Boz, 3; popularity,
4; early life, 5, 6; adopts fic-
tion as vocation, 7; and mod-
ern novel, 7, 8; Martin Chuz-
zlewit, 8; humanitarian, 9;

Tale of Two Cities, A, 8;
David Copperfield, 10, 12, 190 n.
Great Expectations, 10; crea-
tive power, 10, 11; democratic
novelist, 12; bad style, 14; use
of "the pathetic fallacy," 17;
at "the summit" of career, 18;
The Disgraceful Conduct of
Mr. Stiggins, 26, 76–84; An
Amateur Hamlet, 26, 84-87;
Fanny Squeers's Letter, 26, 88,
89; The Death of Steerforth,
134, 190-196; Pip Meets an
Escaped Convict, 250, 279-284;
Nicholas Varies the Monotony,
250, 285-290.
Disgraceful Conduct of Mr. Stig-
gins, The (The Pickwick Club),
Charles Dickens, 26, 76-84.
Du Maurier, George (1834-1896),
The Last of Svengali, 134, 203-
214.

EFFIE DEANS IN PRISON (The
Heart of Midlothian), Sir Wal-
ter Scott, 134, 157-168.
Eliot, George (1819-1880), new
development in English fic-
tion, 15, 19, 20; Mrs. Poyser
Has Her Say Out, 26, 97-106;
Childish Sorrows, 250-298-308.
Emotional novel, The, 18, 19.
Exposure of Jane Eyre, The (Jane
Eyre), Charlotte Brontë, 250,
290-298.

Falkland, Bulwer Lytton, 3.
Fanny Squeers's Letter (Nicholas
Nickleby), Charles Dickens, 26,
88, 89.
Far from the Madding Crowd,
Thomas Hardy, 123 n.
Fielding, Henry (1707-1754),
magistrate and playwright, 7;
choice of material, 8, 13, 15;
Parson Adams and Parson
Trulliber, 26, 27-34.

Flight of Eliza, The (Uncle Tom's
Cabin), Harriet Beecher Stowe,
134, 175-184.
Fortune Humbles the Family of I

Wakefield (The Vicar of Wake-
field), Oliver Goldsmith, 26,
48-53.
Frankenstein, Mrs. Shelley, 168 n.
Frankenstein Creates a Soulless
Man (Frankenstein), Mrs. Shel-
ley, 134, 168-173.
Frazer's Magazine, 4.
Free Life on the Road, The (The
Adventures of Harry Rich-
mond), George Meredith, 250,
322-333.

GAME OF LIFE, THE (The Adven-

tures of Tom Sawyer), Samuel
Clemens, 250, 333-337.
Gaskell, Mrs. (1810-1865), social

and domestic novel, 19; Miss
Betsy Barker's Cow, 26, 59-
62.

Gissing, Mr., 23.
Goldsmith, Oliver (1728-1774),
Vicar of Wakefield, 7; choice of
material, 8; Fortune Humbles
the Family of Wakefield, 26,
48-53.

Great Expectations, Charles Dick-
ens, 10, 84 n, 279 n.
Gypsy's Philosophy, The (Laven-
gro), George Borrow, 134, 173-

175.

HAGGARD, RIDER, 23.
Hardy, Thomas (1840), new de-
velopment in English fiction,
19, 20, 21, 22; Joseph Poor-
grass, 26, 123-127; A Woman's
Way, 134, 215-226.
Hawthorne,

Nathaniel (1807-
1864), The Scarlet Letter, 22;
The Heart of Midlothian, 157 n;
Pearl, 250, 254-259.
Historical novel, The, 19.
Howells, William D., 22.
Huckleberry Finn, Samuel Clem-
ens, 117 n.

Hughes, Thomas (1822-1896),
Tom Brown and the Slogger,
250, 308-322.
Humphry Clinker, Tobias Smol-
lett, 34 n.

JAMES, G. P. R., followed Scott's

method, 3; Richelieu, 3.
Jane Eyre, Charlotte Brontë, 15,
17, 18, 290 n.

John Ward, Preacher, Margaret
Deland, 240 n.

Joseph Andrews, Henry Fielding,
27 n.
Joseph Poorgrass (Far from the
Madding Crowd), Thomas
Hardy, 26, 123–127.

KINGSLEY, CHARLES, historical
novel, 19.

Kipling, Rudyard, Barrack-room
Ballads, 4; speaks for Africa,
23.

LAST OF SVENGALI, THE (Trilby),
George du Maurier, 134, 203-
214.

Lavengro, George Borrow, 173 n.
Letter of Consolation, A (Pride
and Prejudice), Jane Austen,
26, 58-59.

Literary Affectations (Humphry
Clinker), Tobias Smollett, 26,
34-47.

Lytton, Bulwer, Falkland, 3;
master of fiction, 4; historical
novel, 19.

MARK TWAIN. See Clemens,
Samuel L.
Martin Chuzzlewit, Charles Dick-
ens, 8.

Mause Testifies (Old Mortality),
Sir Walter Scott, 26, 53-57.
Meredith, George (1828-1909),
intellect, 13; new development
in English fiction, 19, 20; Mrs.
Berry on Matrimony, 26, 106-
117; Clare's Diary, 134, 197-
203; The Free Life on the
Road, 250, 322-333.

Mill on the Floss, The, George
Eliot, 298 n.

Miss Betsy Barker's Cow (Cran-
ford), Mrs. Gaskell, 26, 59–62.
Modern novel, 3, 4, 5, 7.
Mrs. Berry on Matrimony (The

Ordeal of Richard Feverel),
George Meredith, 26, 106-

117.

Mrs. Poyser Has Her Say Out
(Adam Bede), George Eliot, 26,
97-106.

Newcomes, The, William Make-
peace Thackeray, 62 n.
Nicholas Nickleby, Charles Dick-
ens, 88 n, 285 n.
Nicholas Varies the Monotony
(Nicholas Nickleby), Charles
Dickens, 250, 285-290.
Norris, Frank, 22.

Old Mortality, Sir Walter Scott,
53 n.
Ordeal of Richard Feverel, The,
George Meredith, 106 n., 197 n.
Oxford Movement, 4.

Pair of Blue Eyes, A, Thomas
Hardy, 215 n.

Pamela, or Virtue Rewarded,
Samuel Richardson, 7.
Parson Adams and Parson Trul-
liber (Joseph Andrews), Henry
Fielding, 26, 27-34.

Pearl (The Scarlet Letter), Nathan-
iel Hawthorne, 250, 254-259.
Peregrine Pickle, 251 n.
Peregrine Pickle (Peregrine

Pickle), Tobias Smollett, 250,
251-254.

Pickwick Club, The, Charles
Dickens, 76 n.

Picture of Dorian Gray, The,
Oscar Wilde, 233 n.
Philosophic novel, The, 19.
Pip Meets an Escaped Convict

(Great Expectations), Charles
Dickens, 250, 279-284.
Preparing to Receive Company
(A Window in Thrums), J. M.
Barrie, 26, 127–131.

Pride and Prejudice, Jane Austen,
58 n.

RADCLIFFE, Mrs., novels of ter-
ror, 17.

Rawdon Crawley Discovers Becky
Unfaithful (Vanity Fair), Wil-
liam Makepeace Thackeray,
134, 186-190.

Reade, Charles, historical novel,
19.

"Return of the Native, The," 18.
Richardson, Samuel, bookseller,
7; Pamela, 7; sentimentalist,

9.

Richelieu, G. P. R. James, 3.
Robinson Crusoe, Daniel Defoe,
7, 135 n.

Scarlet Letter, The, Nathaniel
Hawthorne, 22, 254 n.
Scott, Sir Walter (1771-1832),
Waverley, 3; and the modern
novel, 3, 4; death, 5; and
poetry, 7; lack of style, 14;
over-elaborate description, 15;
Mause Testifies, 26, 53-57;
Effie Deans in Prison, 134, 157-
168.

Shelley, Mrs. (1797-1851), Frank-
enstein Creates a Soulless Man,
134, 168-173.

Shirley, Charlotte Brontë, 89 n.
Sketches by Boz, Charles Dickens,
3.

Small Fashionable Party, A
(The Newcomes), William
Makepeace Thackeray, 26, 62-
76.
Smollett, Tobias (1721-1771), |
ship's doctor, 7; and modern
novel, 13, 15; Literary Affec-
tations, 26, 34-47; Peregrine
Pickle, 250, 251-254.
Sterne, Laurence (1713-1768),
The Story of Le Fevre, 134,
146-157.

Stevenson, Robert Louis (1850-
1894), and the modern novel,
15; The Voice Among the
Trees, 134, 226–232.

Story of Le Fevre, The (Tris-
tram Shandy), Laurence Sterne,
134, 146-157.

Stowe, Harriet Beecher (1811-
1896), The Flight of Eliza, 134,

175-184; Topsy, 250, 259-
279.

Swift, Jonathan, fount of tender-

ness, 13.

Tale of Two Cities, A, Charles
Dickens, 8.

Thackeray, William Makepeace
(1811-1863), fame, 4; His-
tory of Samuel Titmarsh," 4;
aristocratic novelist, 12; Van-
ity Fair, 12, 15, 18; David
Copperfield, 12; slowness of
development, 12; akin to
Swift, 13; ease of style, 13;
indifference to dramatic cli-
max, 14; loved to analyze life,
15; first among modern novel-
ists, 19; A Small Fashionable
Party, 26, 62-76; Waterloo,
134, 185-186; Rawdon Craw-
ley Discovers Becky Unfaith-
ful, 134, 186-190.

Tom Brown and the Slogger
(Tom Brown's School - Days),
250, 308-322.

Tom Brown's School - Days,

Thomas Hughes, 308 n.
Topsy (Uncle Tom's Cabin),
Harriet Beecher Stowe, 250,
259-279.

Treasure Island, Robert Louis
Stevenson, 226 n.
Trilby, George du Maurier, 203 n.
Tristram Shandy,
Laurence
Sterne, 146 n.
Trollope, Anthony, social and
domestic novel, 19.
Two Illustrious Impostors
(Huckleberry Finn), Samuel
Clemens, 26, 117-123.

Uncle Tom's Cabin, Harriet
Beecher Stowe, 175 n, 259 n.

Vanity Fair, William Make-

peace Thackeray, 12, 15, 18,
185 n, 186 n.

Vicar of Wakefield, The, Oliver
Goldsmith, 7, 48 n.

Voice Among the Trees, The