Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
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Resultats 1 - 3 de 44.
Pàgina 109
... vision of thousands of cuckolds , yet the generalization removes him from responsibility in the situation . All women are to blame , not he himself nor even his wife in particular . Terrible though Leontes ' diseased imagination is ...
... vision of thousands of cuckolds , yet the generalization removes him from responsibility in the situation . All women are to blame , not he himself nor even his wife in particular . Terrible though Leontes ' diseased imagination is ...
Pàgina 123
... vision to the fore . Believing momentarily that his victim will return to life and undo his murder , Bosola laments her " sacred innocence " and discovers a fleeting vision of his own salvation within her being . She stirres ; here's ...
... vision to the fore . Believing momentarily that his victim will return to life and undo his murder , Bosola laments her " sacred innocence " and discovers a fleeting vision of his own salvation within her being . She stirres ; here's ...
Pàgina 219
... vision . She and her marriage embody hope , love , and regeneration , as well as the ideals of rewarded merit and equality for which Bosola yearns even while he bows to class limits and a code of service ( III.ii.268-314 ) . Both the ...
... vision . She and her marriage embody hope , love , and regeneration , as well as the ideals of rewarded merit and equality for which Bosola yearns even while he bows to class limits and a code of service ( III.ii.268-314 ) . Both the ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York