Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 32.
Pàgina 21
... takes on the negative character of the fickle jade and destroyer . With this , the great revalu- ation of the feminine begins , its conversion into the negative , thereafter carried to extremes in the patriarchal religions of the West ...
... takes on the negative character of the fickle jade and destroyer . With this , the great revalu- ation of the feminine begins , its conversion into the negative , thereafter carried to extremes in the patriarchal religions of the West ...
Pàgina 196
... takes pains to deny his madness to his mother , to Horatio , and in soliloquy ; it is doubtful that he would sincerely assert to Ophelia that women's vices " hath made me mad . " Furthermore , Although the degree and style of Hamlet's ...
... takes pains to deny his madness to his mother , to Horatio , and in soliloquy ; it is doubtful that he would sincerely assert to Ophelia that women's vices " hath made me mad . " Furthermore , Although the degree and style of Hamlet's ...
Pàgina 199
... takes over grief for his father in Hamlet's own analysis of his melancholy . I suggest that melancholy does not impede the action so much as this divided interest does . The Ghost commands a specific act but Hamlet's chief obsession is ...
... takes over grief for his father in Hamlet's own analysis of his melancholy . I suggest that melancholy does not impede the action so much as this divided interest does . The Ghost commands a specific act but Hamlet's chief obsession is ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York