Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 44.
Pàgina 130
... suggests his fascination with amorous dalliance . With the ascent to the throne of Edward IV , Richard asserts , " Grim- visaged war " has learned to caper " nimbly in a lady's chamber / To the lascivious pleasing of a lute . " 3 ...
... suggests his fascination with amorous dalliance . With the ascent to the throne of Edward IV , Richard asserts , " Grim- visaged war " has learned to caper " nimbly in a lady's chamber / To the lascivious pleasing of a lute . " 3 ...
Pàgina 132
... suggests that his misogyny rests upon the shallow base of worldly fashion and an Italian upbringing rather than upon deep - seated conviction . Tharsalio , the comic Machiavel of George Chapman's The Widow's Tears ( c . 1605 ) , spent ...
... suggests that his misogyny rests upon the shallow base of worldly fashion and an Italian upbringing rather than upon deep - seated conviction . Tharsalio , the comic Machiavel of George Chapman's The Widow's Tears ( c . 1605 ) , spent ...
Pàgina 199
... suggests a different explanation . We have discussed the preeminence which shame and a sense of betrayal by his mother takes over grief for his father in Hamlet's own analysis of his melancholy . I suggest that melancholy does not ...
... suggests a different explanation . We have discussed the preeminence which shame and a sense of betrayal by his mother takes over grief for his father in Hamlet's own analysis of his melancholy . I suggest that melancholy does not ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York