Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 34.
Pàgina 12
... seems to merit more attention than that of the later part , which displays an increasingly rarified atmosphere and intense focus upon peculiarities of sexual turmoil . Dramatists from 1600 until 1613 ( from Marston through Webster ) ...
... seems to merit more attention than that of the later part , which displays an increasingly rarified atmosphere and intense focus upon peculiarities of sexual turmoil . Dramatists from 1600 until 1613 ( from Marston through Webster ) ...
Pàgina 20
... seems to come from the mother , but actually it is the deadly fear of the instinctive , unconscious , inner man who is cut off from life by the continual shrinking back from reality . If the mother is felt as the obstacle , she then ...
... seems to come from the mother , but actually it is the deadly fear of the instinctive , unconscious , inner man who is cut off from life by the continual shrinking back from reality . If the mother is felt as the obstacle , she then ...
Pàgina 145
... seems to Iago , such a one would be capable only of breeding and tending to petty household matters . The other participants in the discussion view the entire inter- change in a spirit of wit . Desdemona seeks in Iago's pronouncements ...
... seems to Iago , such a one would be capable only of breeding and tending to petty household matters . The other participants in the discussion view the entire inter- change in a spirit of wit . Desdemona seeks in Iago's pronouncements ...
Frases i termes més freqüents
accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York