Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
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Pàgina 65
... plot who might embody stability and a just order . None of the adulteress ' lovers holds strong moral or legal claims to her affections , thus none can represent the transgressed rights of the husband . Three separate plots run ...
... plot who might embody stability and a just order . None of the adulteress ' lovers holds strong moral or legal claims to her affections , thus none can represent the transgressed rights of the husband . Three separate plots run ...
Pàgina 176
... plot . He is offset by Beatrice , however , who has " little of the melancholy element in her . " 35 Don John's plot apparently exposes Hero as a false and licentious harlot . At the marriage altar , her bridegroom Claudio rages : You ...
... plot . He is offset by Beatrice , however , who has " little of the melancholy element in her . " 35 Don John's plot apparently exposes Hero as a false and licentious harlot . At the marriage altar , her bridegroom Claudio rages : You ...
Pàgina 289
... plots of the three tragedies . An abyss of despair and doubt devours the mind even as the action destroys the body . This is abstract misogyny , independent from the requirements of plot or the conventions of character . Female images ...
... plots of the three tragedies . An abyss of despair and doubt devours the mind even as the action destroys the body . This is abstract misogyny , independent from the requirements of plot or the conventions of character . Female images ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York