Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
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Pàgina 56
... passion for Mosby . The difference in their social stations , carefully delineated during the first scene , and the unsavoriness of Mosby's character preclude terming her passion " love . " It is simple lust . What dramatic ...
... passion for Mosby . The difference in their social stations , carefully delineated during the first scene , and the unsavoriness of Mosby's character preclude terming her passion " love . " It is simple lust . What dramatic ...
Pàgina 151
... passion , but between passion and policy in which passion is clearly the nobler ,, 18 on account of its simplicity and directness . Chapman gives physical form to the contending ideas of passion and policy in the rival figures of Bussy ...
... passion , but between passion and policy in which passion is clearly the nobler ,, 18 on account of its simplicity and directness . Chapman gives physical form to the contending ideas of passion and policy in the rival figures of Bussy ...
Pàgina 162
... Passion rampant destroys social institutions and tragic vision . right judgment . Reason cannot control its force . Great souls experience great passion and thus are doomed . Possessing less strength of reason than men but greater ...
... Passion rampant destroys social institutions and tragic vision . right judgment . Reason cannot control its force . Great souls experience great passion and thus are doomed . Possessing less strength of reason than men but greater ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York