Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
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Pàgina 127
... force , the animalistic traits of man , and the substitution of princely mandate for moral law-- remained in the public memory . In 1576 Innocent Gentillet published Contre- Machiavel , a hostile and polemical " analysis " of ...
... force , the animalistic traits of man , and the substitution of princely mandate for moral law-- remained in the public memory . In 1576 Innocent Gentillet published Contre- Machiavel , a hostile and polemical " analysis " of ...
Pàgina 222
... forces-- social , paternal , or simply evil-- which threaten to bind their energies . Tragedy represents the reverse case : the dark forces defeat desire , but the structure of the myth affirms the beauty and significance of what has ...
... forces-- social , paternal , or simply evil-- which threaten to bind their energies . Tragedy represents the reverse case : the dark forces defeat desire , but the structure of the myth affirms the beauty and significance of what has ...
Pàgina 236
... force , and death , Do to this body what extremes you can ; But the strong base and building of my love Is as the very centre of the earth , Drawing all things to it . ( IV.ii.107-11 ) Her conduct quickly belies her boast . The courtly ...
... force , and death , Do to this body what extremes you can ; But the strong base and building of my love Is as the very centre of the earth , Drawing all things to it . ( IV.ii.107-11 ) Her conduct quickly belies her boast . The courtly ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York