Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 36.
Pàgina 127
... figure which bears his name in English drama . Far from being a thinker and writer like his Italian prototype , the stage Machiavel indulges himself personally in schemes and connivings of the most base and self - serving variety ...
... figure which bears his name in English drama . Far from being a thinker and writer like his Italian prototype , the stage Machiavel indulges himself personally in schemes and connivings of the most base and self - serving variety ...
Pàgina 171
... figure ; Rosalind describes his melancholy as the result of his travels ( As You Like It , IV.i.10ff ) . The Elizabethan writer Robert Greene ascribed similar importance to continental travels in his history of his own rebel- lious ...
... figure ; Rosalind describes his melancholy as the result of his travels ( As You Like It , IV.i.10ff ) . The Elizabethan writer Robert Greene ascribed similar importance to continental travels in his history of his own rebel- lious ...
Pàgina 177
... figure in characters such as Malevole , Hamlet , and Bosola . No reversal of action can eradicate the memory of venomous diatribes from the protagonist himself , who mediates our participation in the drama . Malevole / Alto fronto and ...
... figure in characters such as Malevole , Hamlet , and Bosola . No reversal of action can eradicate the memory of venomous diatribes from the protagonist himself , who mediates our participation in the drama . Malevole / Alto fronto and ...
Frases i termes més freqüents
accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York