Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
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Resultats 1 - 3 de 36.
Pàgina 47
... earlier , opposing images . The wife of need and the mistress of spirit merged into a single figure . " It is the peculiar character of the Puritan marriage doctrine that above all else marriage is the covenant between husband and wife ...
... earlier , opposing images . The wife of need and the mistress of spirit merged into a single figure . " It is the peculiar character of the Puritan marriage doctrine that above all else marriage is the covenant between husband and wife ...
Pàgina 260
... earlier informed his personality . Misogyny does not reveal character here in a static and predictable manner , as with the malcontent or Machia- vellian figures , because all three tragic protagonists undergo wrenching psychological ...
... earlier informed his personality . Misogyny does not reveal character here in a static and predictable manner , as with the malcontent or Machia- vellian figures , because all three tragic protagonists undergo wrenching psychological ...
Pàgina 270
... earlier . Although Vindice acts to avenge her death , his choice of weapon and his own attitude in the moment of victory compromise the action . The irony of painting the skull as a sex object incites Vindice , in his own person , to ...
... earlier . Although Vindice acts to avenge her death , his choice of weapon and his own attitude in the moment of victory compromise the action . The irony of painting the skull as a sex object incites Vindice , in his own person , to ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York