Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
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Pàgina 93
... direct or acknowledged sources do not contain . Two fourteenth - century plays , a French miracle Oton and a Dutch romance Esmoreit , contain striking resemblances to Cymbeline and The Winter's Tale , respectively . Oton and Cymbeline ...
... direct or acknowledged sources do not contain . Two fourteenth - century plays , a French miracle Oton and a Dutch romance Esmoreit , contain striking resemblances to Cymbeline and The Winter's Tale , respectively . Oton and Cymbeline ...
Pàgina 125
... direct means and lingers like a bitter aftertaste . Niccolo Machiavelli ( 1469-1527 A.D. ) , the Italian political theoretician , supplied his name for the archvillain of the English Renaissance . Like many thinkers of the late ...
... direct means and lingers like a bitter aftertaste . Niccolo Machiavelli ( 1469-1527 A.D. ) , the Italian political theoretician , supplied his name for the archvillain of the English Renaissance . Like many thinkers of the late ...
Pàgina 201
... direct focus on her lustfulness . Hamlet accuses her of " an act / That blurs the grace and blush of modesty " ( III.iv. 40-41 ) , yet he responds to her confused queries only by brandishing portraits of her two husbands and reiterating ...
... direct focus on her lustfulness . Hamlet accuses her of " an act / That blurs the grace and blush of modesty " ( III.iv. 40-41 ) , yet he responds to her confused queries only by brandishing portraits of her two husbands and reiterating ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York