Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
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Resultats 1 - 3 de 11.
Pàgina
... critical eye . My adviser , Professor Charles Lyons , offered countless creative suggestions for improvement with unfailing good humor . Equal thanks are due to Professor Eleanor Prosser for her keen editorial and textual criticisms and ...
... critical eye . My adviser , Professor Charles Lyons , offered countless creative suggestions for improvement with unfailing good humor . Equal thanks are due to Professor Eleanor Prosser for her keen editorial and textual criticisms and ...
Pàgina 24
... critical predecessor , Roger Fry , into a brilliant examination of artistic convention . Primitive art starts , like that of children , with symbols of concepts . In a child's drawing of a face a circle symbolizes the mask , two dots ...
... critical predecessor , Roger Fry , into a brilliant examination of artistic convention . Primitive art starts , like that of children , with symbols of concepts . In a child's drawing of a face a circle symbolizes the mask , two dots ...
Pàgina 113
... critical afterthought rather than the immediate impact of the staged drama . Such components may explain the subconscious grounds of the audience's own acceptance of Leontes ' sudden jealousy , but they say little of the immediate ...
... critical afterthought rather than the immediate impact of the staged drama . Such components may explain the subconscious grounds of the audience's own acceptance of Leontes ' sudden jealousy , but they say little of the immediate ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York