Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 22.
Pàgina 15
... continually shifting phases . Involvement in the birth process already had endowed women with symbolic associations of change and mutability , and the conjunction of cycles strengthened the connection . Men , in contrast , were somehow ...
... continually shifting phases . Involvement in the birth process already had endowed women with symbolic associations of change and mutability , and the conjunction of cycles strengthened the connection . Men , in contrast , were somehow ...
Pàgina 25
... continually modified in subsequent representation , and yet continually present as the basis . 18 The negative female - type developed in Western literature earlier than did its benevolent counterpart . The myths , it is true ...
... continually modified in subsequent representation , and yet continually present as the basis . 18 The negative female - type developed in Western literature earlier than did its benevolent counterpart . The myths , it is true ...
Pàgina 190
... continually recur in the representations of the type . 50 Although Schücking correctly describes the stock association of the two qualities , his argument ignores the reality of the play world ; Hamlet's misogyny is not merely the ...
... continually recur in the representations of the type . 50 Although Schücking correctly describes the stock association of the two qualities , his argument ignores the reality of the play world ; Hamlet's misogyny is not merely the ...
Frases i termes més freqüents
accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York