Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
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Pàgina 8
... character , and therefore they continually recur in the representations of the type . 23 20 The Influence of Beaumont and Fletcher On Shakspere ( Worcester , Mass .: Oliver B. Wood , 1901 ) , p . 153 . 21 Comicall Satyre and ...
... character , and therefore they continually recur in the representations of the type . 23 20 The Influence of Beaumont and Fletcher On Shakspere ( Worcester , Mass .: Oliver B. Wood , 1901 ) , p . 153 . 21 Comicall Satyre and ...
Pàgina 10
... character in different plays produce consistent attitudes towards women ? Although any comments made by male characters about women must be weighed against the qualities of the female characters in the same play , my approach cannot ...
... character in different plays produce consistent attitudes towards women ? Although any comments made by male characters about women must be weighed against the qualities of the female characters in the same play , my approach cannot ...
Pàgina 190
... character , and therefore they continually recur in the representations of the type . 50 Although Schücking correctly describes the stock association of the two qualities , his argument ignores the reality of the play world ; Hamlet's ...
... character , and therefore they continually recur in the representations of the type . 50 Although Schücking correctly describes the stock association of the two qualities , his argument ignores the reality of the play world ; Hamlet's ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York