Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
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Resultats 1 - 3 de 64.
Pàgina 116
... action . When Leontes accepts this mode at his proper role , he regains the repressed feminine aspect of his own psyche . Only then does he regain his literal feminine component-- Perdita-- and is reunited with his wife . Leontes has a ...
... action . When Leontes accepts this mode at his proper role , he regains the repressed feminine aspect of his own psyche . Only then does he regain his literal feminine component-- Perdita-- and is reunited with his wife . Leontes has a ...
Pàgina 185
... action of mask upon identity . Such clear delineations are impossible with Shakespeare's Hamlet , who shares many qualities with both Altofronto and Malevole , but in a form so closely intertwined as to defy certainty as to which is man ...
... action of mask upon identity . Such clear delineations are impossible with Shakespeare's Hamlet , who shares many qualities with both Altofronto and Malevole , but in a form so closely intertwined as to defy certainty as to which is man ...
Pàgina 199
... action . ( III.1.83-88 ) The Player King reaffirms the problem : ' What to ourselves in passion we propose , / The passion ending , doth the purpose lose " ( III.ii.93- 94 ) . Significantly , the Player King's statement comes in ...
... action . ( III.1.83-88 ) The Player King reaffirms the problem : ' What to ourselves in passion we propose , / The passion ending , doth the purpose lose " ( III.ii.93- 94 ) . Significantly , the Player King's statement comes in ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York