Patterns of Misogyny in Jacobean TragedyStanford University, 1979 - 600 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 20.
Pàgina 227
... Troilus and Cressida , in contrast , lies not in the presence of satiric voices but in the movement of the action away from an early ideal stance to conform with , rather than to belie , the cynical possibilities . Troilus and Cressida ...
... Troilus and Cressida , in contrast , lies not in the presence of satiric voices but in the movement of the action away from an early ideal stance to conform with , rather than to belie , the cynical possibilities . Troilus and Cressida ...
Pàgina 231
... Troilus ' character and of one - half of the play's dialectic . Troilus is cautious only regarding his physical power as an agent of love . Men in love strive toward the infinite : we vow to weep seas , live in fire , eat rocks , tame ...
... Troilus ' character and of one - half of the play's dialectic . Troilus is cautious only regarding his physical power as an agent of love . Men in love strive toward the infinite : we vow to weep seas , live in fire , eat rocks , tame ...
Pàgina 237
... Troilus reveals the perilous flaw in his espousal of honor and love . He confers value extrinsically upon objects which do not inherently merit esteem-- silks , meat , or a woman-- and sustains that value through a persistent personal ...
... Troilus reveals the perilous flaw in his espousal of honor and love . He confers value extrinsically upon objects which do not inherently merit esteem-- silks , meat , or a woman-- and sustains that value through a persistent personal ...
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accepts action adultery Antony appear aspects attempts beauty becomes believes blood body Bosola brother Bussy character Cleopatra continually contrast conventional corruption courtly Cressida critical daughter death describes desire direct divine drama Duchess Duke earlier Elizabethan evil existence eyes face fair false father fear female feminine figure final finds force further give Hamlet heart Hermione honor human husband Iago Iago's ideal imagery jealousy King Lady Lear Leontes live London lover lust male marriage melancholy mind misogyny mistress moral mother motive murder nature never offers opening passion physical play pleasure plot Posthumus presents Press provides qualities reason remains represents reveals revenge romance satire scene seems serves sexual Shakespeare soul speech spirit suggests symbol takes theme things thou tradition Tragedy Troilus true turn University vice Vindice virtue vision wife woman women York