The Creative Vision: A Longitudinal Study of Problem Finding in ArtWiley, 1976 - 293 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 50.
Pàgina 93
... forms that are pleasing to the eye . There is no meaning , relation between them . I would like to work with large geometrical forms - they cannot be im- proved upon . " In contrast to the questing of the first group , what lacks in ...
... forms that are pleasing to the eye . There is no meaning , relation between them . I would like to work with large geometrical forms - they cannot be im- proved upon . " In contrast to the questing of the first group , what lacks in ...
Pàgina 154
... forms and meanings encountered beforehand and fits the elements pre- sented in the environment into the preconception . The student who holds the problem open , who does not foreclose the emergence of a new pattern by imposing on the ...
... forms and meanings encountered beforehand and fits the elements pre- sented in the environment into the preconception . The student who holds the problem open , who does not foreclose the emergence of a new pattern by imposing on the ...
Pàgina 236
... forms of syllogism which guarantee correctness of the conclusion . Deduction through logic and rationality is the substratum of creative production ; the discovery of the planet Neptune , for example , was the result of this process ...
... forms of syllogism which guarantee correctness of the conclusion . Deduction through logic and rationality is the substratum of creative production ; the discovery of the planet Neptune , for example , was the result of this process ...
Continguts
Introduction | 1 |
Who Would Become an Artist? | 9 |
Setting Subjects and Procedures | 11 |
Copyright | |
No s’hi han mostrat 15 seccions
Frases i termes més freqüents
16 Personality Factors achievement art grades art school art students art teachers art world artist-critics artistic potential average become an artist carburetor career cognitive College norms conflict correlations craftsmanship creative process culture Cyclothymia dimensions discovery drawing elements evaluation existential experiment experimental expression factors feelings female fine art students fine artists gallery Getzels graduation homeostatic interview judges loft male fine art manikin mean measure MIHALY CSIKSZENTMIHALYI objects observed originality and artistic overall aesthetic value overall value painting pattern percent perceptual perhaps personality traits problem finding problem formulation problem situation problem solution problem-finding behavior problematic question relationship role sample seems significant significantly skills social solving stage Standardized scores status structure studio courses successful artists superego symbolic Table talent task tensions tests thinking tion total problem-finding score uncon values and personality variables visual ween Wonderlic young artists
Referències a aquest llibre
The Teaching of Thinking Raymond S. Nickerson,David N. Perkins,Edward E. Smith Visualització de fragments - 1985 |