The Creative Vision: A Longitudinal Study of Problem Finding in ArtWiley, 1976 - 293 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 35.
Pàgina 21
... feelings about objects . . . the artist does not create anything new , he just discovers . ( S.14 ) I only paint objects that have a personal significance to me . They all have a meaning for me , I create with them a little world of my ...
... feelings about objects . . . the artist does not create anything new , he just discovers . ( S.14 ) I only paint objects that have a personal significance to me . They all have a meaning for me , I create with them a little world of my ...
Pàgina 146
... feelings about life and death , and the continuity of matter through changes in form . For these feelings to achieve expression in the experiment ( where he was required to structure the problem using concrete objects ) , he had to ...
... feelings about life and death , and the continuity of matter through changes in form . For these feelings to achieve expression in the experiment ( where he was required to structure the problem using concrete objects ) , he had to ...
Pàgina 151
... feelings : The equation will consist in finding a visual translation for human experience . When the problem begins to be formulated , the artist selects human forms as catalysts for the expression of such experience . The role of the ...
... feelings : The equation will consist in finding a visual translation for human experience . When the problem begins to be formulated , the artist selects human forms as catalysts for the expression of such experience . The role of the ...
Continguts
Introduction | 1 |
Who Would Become an Artist? | 9 |
Setting Subjects and Procedures | 11 |
Copyright | |
No s’hi han mostrat 15 seccions
Frases i termes més freqüents
16 Personality Factors achievement art grades art school art students art teachers art world artist-critics artistic potential average become an artist carburetor career cognitive College norms conflict correlations craftsmanship creative process culture Cyclothymia dimensions discovery drawing elements evaluation existential experiment experimental expression factors feelings female fine art students fine artists gallery Getzels graduation homeostatic interview judges loft male fine art manikin mean measure MIHALY CSIKSZENTMIHALYI objects observed originality and artistic overall aesthetic value overall value painting pattern percent perceptual perhaps personality traits presented problem finding problem formulation problem situation problem solution problem-finding behavior problematic question relationship role sample seems significant significantly skills social solving stage Standardized scores status structure studio courses successful artists superego symbolic Table talent task tensions tests thinking tion total problem-finding score uncon values and personality variables visual ween Wonderlic young artists
Referències a aquest llibre
The Teaching of Thinking Raymond S. Nickerson,David N. Perkins,Edward E. Smith Visualització de fragments - 1985 |