The Creative Vision: A Longitudinal Study of Problem Finding in ArtWiley, 1976 - 293 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 14.
Pàgina 95
... eyes . They felt their drawing grew by incorporating new syntheses of external and , perhaps more important , internal reality . Fifteen stu- dents , or 48 percent , fell into the first group ; 11 , or 35 percent , into the second ...
... eyes . They felt their drawing grew by incorporating new syntheses of external and , perhaps more important , internal reality . Fifteen stu- dents , or 48 percent , fell into the first group ; 11 , or 35 percent , into the second ...
Pàgina 97
... eyes , assessing its weight , feeling its texture , and so on . A score of 3 was given for active experimentation with the objects - folding the hat into different shapes , changing the position of the legs on the manikin , and working ...
... eyes , assessing its weight , feeling its texture , and so on . A score of 3 was given for active experimentation with the objects - folding the hat into different shapes , changing the position of the legs on the manikin , and working ...
Pàgina 184
... eyes of others , and to a great extent in his or her own eyes , depends on the job that a person holds . One's occupation is not only a source of income ; it is a definition of who one is . Most occupations provide a gradual transition ...
... eyes of others , and to a great extent in his or her own eyes , depends on the job that a person holds . One's occupation is not only a source of income ; it is a definition of who one is . Most occupations provide a gradual transition ...
Continguts
Introduction | 1 |
Who Would Become an Artist? | 9 |
Setting Subjects and Procedures | 11 |
Copyright | |
No s’hi han mostrat 15 seccions
Frases i termes més freqüents
16 Personality Factors achievement art grades art school art students art teachers art world artist-critics artistic potential average become an artist carburetor career cognitive College norms conflict correlations craftsmanship creative process culture Cyclothymia dimensions discovery drawing elements evaluation existential experiment experimental expression factors feelings female fine art students fine artists gallery Getzels graduation homeostatic interview judges loft male fine art manikin mean measure MIHALY CSIKSZENTMIHALYI objects observed originality and artistic overall aesthetic value overall value painting pattern percent perceptual perhaps personality traits presented problem finding problem formulation problem situation problem solution problem-finding behavior problematic question relationship role sample seems significant significantly skills social solving stage Standardized scores status structure studio courses successful artists superego symbolic Table talent task tensions tests thinking tion total problem-finding score uncon values and personality variables visual ween Wonderlic young artists
Referències a aquest llibre
The Teaching of Thinking Raymond S. Nickerson,David N. Perkins,Edward E. Smith Visualització de fragments - 1985 |