The Creative Vision: A Longitudinal Study of Problem Finding in ArtWiley, 1976 - 293 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 5.
Pàgina 38
... body of knowledge generally acceptable to psychologists . In fact , all personality instruments may be described as controversial , each with its own following and devotees " ( Buros , 1970 , 25-26 ) . Faced with this awkward state of ...
... body of knowledge generally acceptable to psychologists . In fact , all personality instruments may be described as controversial , each with its own following and devotees " ( Buros , 1970 , 25-26 ) . Faced with this awkward state of ...
Pàgina 193
... body of paintings that were inspired by problems of urban life . His canvasses were filled with technological symbols : gears , machines , neon signs , skyscrapers , and so on . When , after graduation , he left the city for a farm near ...
... body of paintings that were inspired by problems of urban life . His canvasses were filled with technological symbols : gears , machines , neon signs , skyscrapers , and so on . When , after graduation , he left the city for a farm near ...
Pàgina 203
... body of personally meaningful work . Yet these activities are also necessary , since in their absence the artist would be unable to retain a foothold in the art world and practice his vocation in his free time . A closer look at the ...
... body of personally meaningful work . Yet these activities are also necessary , since in their absence the artist would be unable to retain a foothold in the art world and practice his vocation in his free time . A closer look at the ...
Continguts
Introduction | 1 |
Who Would Become an Artist? | 9 |
Setting Subjects and Procedures | 11 |
Copyright | |
No s’hi han mostrat 15 seccions
Frases i termes més freqüents
16 Personality Factors achievement art grades art school art students art teachers art world artist-critics artistic potential average become an artist carburetor career cognitive College norms conflict correlations craftsmanship creative process culture Cyclothymia dimensions discovery drawing elements evaluation existential experiment experimental expression factors feelings female fine art students fine artists gallery Getzels graduation homeostatic interview judges loft male fine art manikin mean measure MIHALY CSIKSZENTMIHALYI objects observed originality and artistic overall aesthetic value overall value painting pattern percent perceptual perhaps personality traits presented problem finding problem formulation problem situation problem solution problem-finding behavior problematic question relationship role sample seems significant significantly skills social solving stage Standardized scores status structure studio courses successful artists superego symbolic Table talent task tensions tests thinking tion total problem-finding score uncon values and personality variables visual ween Wonderlic young artists
Referències a aquest llibre
The Teaching of Thinking Raymond S. Nickerson,David N. Perkins,Edward E. Smith Visualització de fragments - 1985 |