The Creative Vision: A Longitudinal Study of Problem Finding in ArtWiley, 1976 - 293 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 28.
Pàgina 91
... arrangement on the table to finished drawing . Some were almost exact renderings of the assembly of objects . Others included changes in perspective ; the arrangement was purposely flattened or foreshortened on the paper . A few ...
... arrangement on the table to finished drawing . Some were almost exact renderings of the assembly of objects . Others included changes in perspective ; the arrangement was purposely flattened or foreshortened on the paper . A few ...
Pàgina 94
... arrangement on the table did not make any difference . I arranged the work on the paper ... [ but ] I liked [ the arrangement's ] pattern , its subtle rhythm — not obvious , though strong . " Those in the first group were inspired by ...
... arrangement on the table did not make any difference . I arranged the work on the paper ... [ but ] I liked [ the arrangement's ] pattern , its subtle rhythm — not obvious , though strong . " Those in the first group were inspired by ...
Pàgina 95
... arrangement on the table . Others said that although their drawing was inspired by the still life , they were not bound by it ; the arrangement was integrated with other ideas as they worked on the paper . The contrasts between these ...
... arrangement on the table . Others said that although their drawing was inspired by the still life , they were not bound by it ; the arrangement was integrated with other ideas as they worked on the paper . The contrasts between these ...
Continguts
Introduction | 1 |
Who Would Become an Artist? | 9 |
Setting Subjects and Procedures | 11 |
Copyright | |
No s’hi han mostrat 15 seccions
Frases i termes més freqüents
16 Personality Factors achievement art grades art school art students art teachers art world artist-critics artistic potential average become an artist carburetor career cognitive College norms conflict correlations craftsmanship creative process culture Cyclothymia dimensions discovery drawing elements evaluation existential experiment experimental expression factors feelings female fine art students fine artists gallery Getzels graduation homeostatic interview judges loft male fine art manikin mean measure MIHALY CSIKSZENTMIHALYI objects observed originality and artistic overall aesthetic value overall value painting pattern percent perceptual perhaps personality traits presented problem finding problem formulation problem situation problem solution problem-finding behavior problematic question relationship role sample seems significant significantly skills social solving stage Standardized scores status structure studio courses successful artists superego symbolic Table talent task tensions tests thinking tion total problem-finding score uncon values and personality variables visual ween Wonderlic young artists
Referències a aquest llibre
The Teaching of Thinking Raymond S. Nickerson,David N. Perkins,Edward E. Smith Visualització de fragments - 1985 |