The Creative Vision: A Longitudinal Study of Problem Finding in ArtWiley, 1976 - 293 pàgines |
Des de l'interior del llibre
Resultats 1 - 3 de 4.
Pàgina 35
... Egypt , most art was mass - produced by craftsmen who were obliged to respect an aesthetic tradition that was a tool for ... Egyptian artists were temperamental ; more likely they be- haved like proper civil servants . In Greece and Rome ...
... Egypt , most art was mass - produced by craftsmen who were obliged to respect an aesthetic tradition that was a tool for ... Egyptian artists were temperamental ; more likely they be- haved like proper civil servants . In Greece and Rome ...
Pàgina 196
... Egyptian viewer many mysterious yet fathomable mean- ings that are beyond the expressive range of a giant can of ... Egyptians based their ultimate hope on permanence , we base ours on change . That would explain why we prize originality ...
... Egyptian viewer many mysterious yet fathomable mean- ings that are beyond the expressive range of a giant can of ... Egyptians based their ultimate hope on permanence , we base ours on change . That would explain why we prize originality ...
Pàgina 290
... Egypt , status of artists in , 35 cultural symbols of , 196 Evaluation of art , 107-121 by different groups of judges , 113 of originality , craftsmanship , and overall value , 110-113 patterns of ratings in , 114-120 see also Judges ...
... Egypt , status of artists in , 35 cultural symbols of , 196 Evaluation of art , 107-121 by different groups of judges , 113 of originality , craftsmanship , and overall value , 110-113 patterns of ratings in , 114-120 see also Judges ...
Continguts
Introduction | 1 |
Who Would Become an Artist? | 9 |
Setting Subjects and Procedures | 11 |
Copyright | |
No s’hi han mostrat 15 seccions
Frases i termes més freqüents
16 Personality Factors achievement art grades art school art students art teachers art world artist-critics artistic potential average become an artist carburetor career cognitive College norms conflict correlations craftsmanship creative process culture Cyclothymia dimensions discovery drawing elements evaluation existential experiment experimental expression factors feelings female fine art students fine artists gallery Getzels graduation homeostatic interview judges loft male fine art manikin mean measure MIHALY CSIKSZENTMIHALYI objects observed originality and artistic overall aesthetic value overall value painting pattern percent perceptual perhaps personality traits presented problem finding problem formulation problem situation problem solution problem-finding behavior problematic question relationship role sample seems significant significantly skills social solving stage Standardized scores status structure studio courses successful artists superego symbolic Table talent task tensions tests thinking tion total problem-finding score uncon values and personality variables visual ween Wonderlic young artists
Referències a aquest llibre
The Teaching of Thinking Raymond S. Nickerson,David N. Perkins,Edward E. Smith Visualització de fragments - 1985 |