The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture

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University of California Press, 10 de des. 2008 - 376 pàgines
From its founding in 1912, the short-lived Keystone Film Company—home of the frantic, bumbling Kops and Mack Sennett's Bathing Beauties—made an indelible mark on American popular culture with its high-energy comic shorts. Even as Keystone brought "lowbrow" comic traditions to the screen, the studio played a key role in reformulating those traditions for a new, cross-class audience. In The Fun Factory, Rob King explores the dimensions of that process, arguing for a new understanding of working-class cultural practices within early cinematic mass culture. He shows how Keystone fashioned a style of film comedy from the roughhouse humor of cheap theater, pioneering modes of representation that satirized film industry attempts at uplift. Interdisciplinary in its approach, The Fun Factory offers a unique studio history that views the changing politics of early film culture through the sociology of laughter.
 

Continguts

The Fun Factory Class Comedy and Popular Culture 19121914
19
Funny Germans and Funny Drunks Clowns Class and Ethnicity at Keystone 19131915
65
The Impossible Attained Tillies Punctured Romance and the Challenge of FeatureLength Slapstick 19141915
105
Made for the Masses with an Appeal to the Classes Keystone the Triangle Film Corporation and the Failure of Highbrow Film Culture 19151917
143
Uproarious Inventions Keystone Modernity and the Machine 19151917
180
From Diving Venus to Bathing Beauties Reification and Feminine Spectacle 19161917
210
Conclusion
247
Notes
253
Filmography
315
Index
343
Copyright

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Sobre l'autor (2008)

Rob King is Assistant Professor of Cinema Studies and History at the University of Toronto.

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