Special Section, European ShakespearesGraham Bradshaw, Tom Bishop Ashgate, 2008 - 303 pàgines This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics. |
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Resultats 1 - 3 de 37.
Pàgina 74
... theatrical culture that frequently straddles the English and the Continental European as well as anchoring discussion of his work within an intercultural framework that is nevertheless contingent rather than fixed . FOREGROUNDING ...
... theatrical culture that frequently straddles the English and the Continental European as well as anchoring discussion of his work within an intercultural framework that is nevertheless contingent rather than fixed . FOREGROUNDING ...
Pàgina 75
... theatrical practitioners . Brook's frame of reference for the production is noticeably Continental European rather than English . Moreover , the production's integration of the non - European ( re ) cited the fascination of European ...
... theatrical practitioners . Brook's frame of reference for the production is noticeably Continental European rather than English . Moreover , the production's integration of the non - European ( re ) cited the fascination of European ...
Pàgina 77
... theatrical unity . However , the dramatic evocation of Denmark emphasised how the state is founded on a lack of communication between different ethnic groups . Hamlet's " To be or not to be " soliloquy , for instance , was repositioned ...
... theatrical unity . However , the dramatic evocation of Denmark emphasised how the state is founded on a lack of communication between different ethnic groups . Hamlet's " To be or not to be " soliloquy , for instance , was repositioned ...
Continguts
From the Unfamiliar to the Defamiliarised | 51 |
5 | 61 |
Peter Brooks | 71 |
Copyright | |
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The Shakespearean International Yearbook: Volume 8: Special section ... Graham Bradshaw,Tom Bishop Previsualització limitada - 2017 |
The Shakespearean International Yearbook: Volume 8: Special Section ... Graham Bradshaw,Tom Bishop Previsualització no disponible - 2020 |
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