Special Section, European ShakespearesGraham Bradshaw, Tom Bishop Ashgate, 2008 - 303 pàgines This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics. |
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Pàgina 57
... foreign " Shakespearean performances in their " native habitat . " 18 Whether " made in Europe " or " imported from Asia , " these performances have compelled Anglo - European audiences to negotiate the unfamiliar and foreign forms of ...
... foreign " Shakespearean performances in their " native habitat . " 18 Whether " made in Europe " or " imported from Asia , " these performances have compelled Anglo - European audiences to negotiate the unfamiliar and foreign forms of ...
Pàgina 59
... foreign through the foreign art form that now embodies the text . ( 2 ) Touring Asian productions with European - language sur- or subtitles serve as a constant reminder of the presence of this gap , inviting the local ( European ) ...
... foreign through the foreign art form that now embodies the text . ( 2 ) Touring Asian productions with European - language sur- or subtitles serve as a constant reminder of the presence of this gap , inviting the local ( European ) ...
Pàgina 61
... foreign characters or foreign speech in Shakespeare , Thomas Middleton ( pidgin English as Dutch in No Wit , No Help Like a Woman's ) , Thomas Kyd ( The Spanish Tragedy ) , and other Renaissance playwrights ' works . Foreign speech in ...
... foreign characters or foreign speech in Shakespeare , Thomas Middleton ( pidgin English as Dutch in No Wit , No Help Like a Woman's ) , Thomas Kyd ( The Spanish Tragedy ) , and other Renaissance playwrights ' works . Foreign speech in ...
Continguts
From the Unfamiliar to the Defamiliarised | 51 |
5 | 61 |
Peter Brooks | 71 |
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